In classical Chinese literature, the “pavilion” is more than a physical structure - it serves as a symbolic space for expressing emotion and artistic conception. Scenes such as ascending a pavilion to gaze into the distance, leaning on the railing to bid farewell, or standing alone at the pavilion’s edge are recurring motifs in poetry, rich with humanistic spirit and aesthetic depth. Drawing on Wang Guowei’s theory of yijing(意境理论), this paper explores the imagery of pavilions from the perspectives of “you wo zhi jing”(有我之境) and “wu wo zhi jing”(无我之境). Through close reading of representative classical poems, the study examines the imagery of pavilions across three dimensions: descriptive landscape, emotional expression, and symbolic meaning. The analysis reveals that the pavilion, as a highly condensed literary symbol, not only reflects the emotional landscape of the literati but also carries layers of historical memory. As such, it stands as a powerful and meaningful spatial image in traditional literature, meriting deeper inquiry from both aesthetic and cultural perspectives.

摘要内容在中国古典文学中，“楼”不仅是建筑实体，更是一种寄托情感与表达意境 的空间符号。登楼远望、凭栏送别、独倚楼头，皆成为诗词中反复吟咏的场景，蕴含着深 厚的人文精神与审美情趣。本文以王国维的“意境”理论为出发点，尝试从“有我之境” 与“无我之境”的角度，解析文学作品中“楼”的意象类型与审美特征。文章选取具有代 表性的古诗词为例，从写景、抒情与象征三个层面展开分析，探讨“楼”如何在景与情的 交融中，生成一种超越物象的诗意空间。研究认为，“楼”作为一种高度凝练的文学意 象，不仅映射出文人内心的情绪起伏，也承载着历史记忆，是传统文学中极具表达力和象 征力的空间载体，值得从审美与文化角度深入探讨。

【目 录】
【摘要】
1. 绪论
    1) 研究背景与意义
    2) 研究目的与方法
    3) 研究问题
2. 理论基础与分析框架
    1) 王国维“意境”理论要点
    2) “有我之境”与“无我之境”的美学概念
    3) “楼”意象的理论分析框架
3. 无我之境中的楼意象
    1) 登楼与景观
    2) 空灵与哲理
    3) 景主导下的审美空间
4. 有我之境中的楼意象
    1) 登楼送别
    2) 楼头相思
    3) 登楼怀古
5. 情景交融与意象深化
    1) “情中有景”的意象表现
    2) 楼的象征功能
    3) “诗性空间”与文人精神寄托
6. 结论与展望
【参考文献】
【论文摘要】

• 司钰阳(珠海科技学院文学院教师) | 스위양
• 박병선(국립 군산대학교 중어중문학과 교수) | Park Byung-Seon Corresponding author