Suzhou Taohuawu Year Painting is one of the four major Year Paintings in China, which is a symbol of Jiangnan urban Year Painting. During the past years, it experienced fire in Taiping Heavenly Kingdom, Cultural Revolution and the impact when offset printing replaced traditional woodcut Year Painting, covered all over with scars. Trying to start from the history of Year Painting, this article analyzes the difficulties in inheritance and innovation of Taohuawu, interprets the evolution of Taohuawu Year Painting from style, theme, skills, etc. Taohuawu Year Painting is a development hi-story of Year Painting, also a reflection of cultural development in Suzhou.

As an important carrier of cultural output, film and television can clearly show a country's ideology and regional characteristics. Over the years, south Korean films have been playing an increasingly important role in the world film and television due to their unique cultural background and ideological connotation.Inspired by culture and relying on film as a form of cultural communication, it has exerted a significant influence in the world. Based on the Confucian culture in the application of the south Korean film and television, the research systematically analyzes the theme and core values of Korean film works, and interprets the successful experience of Korean film works under the influence of Confucian culture. The author summarizes the problems in the expression of the core values of society in Chinese films and comes up with straegies to promote the development and dissemination of the film and television industry and the core values of society.