This study is a continuation of previous research (Bae & Kim, 2024) that identified ways to improve the fit of commercially available domestic and international leotards for women in their 30–40s through a survey and evaluation of wearing conditions. The previous study revealed that women in this age group struggle to find well-fitting leotards, despite knowing their body measurements. This issue arises because most apparel industries produce garments for women in their 20s, and grading differences do not sufficiently address the increases in bust, waist, and abdominal girth typical of women in their 30s and 40s. Therefore, this study developed leotard patterns that improve fit and comfort based on the physical characteristics of women in their 30s and 40s. Body surface data of the participants were collected using 3D body scanning technology, forming the basis for pattern design. Experimental garments were created to evaluate compression and determine the suitable pattern reduction rate based on material elasticity. Thus, a pattern reduction rate that offers suitable wearing comfort was proposed. Leotard patterns were developed from experimental results in the most popular styles: camisole and sleeved types. The final leotard patterns were presented after synthesizing results from wearers’ evaluations, compression assessments, and expert appearance evaluations. The final leotards were deemed appropriate for women in their 30s and 40s, demonstrating improvements in comfort, movement stability, compression, and appearance.
The purpose of this study is to analyze the expressive elements and techniques of graffiti appearing in the Moschino collection by Jeremy Scott. A theoretical examination of graffiti art and Moschino’s creative designer Jeremy Scott was conducted using previous studies and publications. Accordingly, keywords about the expressive elements and techniques of graffiti and Moschino were identified, as follows: expressive elements of ‘message (slogan)’, ‘symbolized letters or forms’, ‘logo and brand symbol’, ‘graffiti (scribbles)’, ‘child-like elements’, ‘daily element’s and expressive techniques of ‘using primary colors (color contrast)’, ‘deformation’, ‘distortion’, ‘exaggeration’, ‘illusion (trompe l'oeil)’, ‘collage (repetition)’, ‘simplification (flattening)’, and ‘borrowing heterogeneous objects’. These keywords were then used to analyze Moschino’s collection, comprising seven years of Moschino’s collection photographs officially recorded in the fashion magazine Vogue, ranging from the 2014 F/W to 2020 F/W collections. A total of 761 photos were initially collected, from which 561 were selected by the researcher. Expressive characteristics of graffiti in Moschino’s collection were analyzed, and identified in the following categories: ‘child-like playfulness’, ‘commercial satire’, ‘using daily elements’, and ‘borrowing non-representative techniques’. Accordingly, it was confirmed that expressive characteristics of graffiti were found in the Moschino collection by Jeremy Scott. This study anticipates the possibility of various interpretations from which fashion that communicates closely with contemporary art can be understood.