본 논문은 『시경(詩經)』의 작품을 ‘정변(正變)’의 관점에서 설명하려는 ‘풍아정변론 (風雅正變論)’은 어디에서 비롯되었으며, 아울러 정현(鄭玄)의 ‘정변’은 어떻게 형성되 었는가를 탐색하려고 시도하였다. 이를 위해서 『모시(毛詩)』 해석과 비교를 통하여 그 실마리를 찾으려 하였다. 정현은 어떤 방식으로 ‘정변’을 구분하였으며 모시해석 체계(모시해석체계)와는 어떻게 다른지, 『전(箋)』의 해석까지의 변화를 살펴봄으로써 이를 드러내 보고자 하였다. 『시경』의 작품을 ‘정변’을 통해 설명한 가장 빠른 시기 의 해석은 『모시서(毛詩序)』이고, 『풍(風)』과 『아(雅)』의 詩를 왕도흥쇠(王道興衰)에 따라 ‘정변’으로 시정(時政)의 善과 惡을 구분하였다. 유가 사상(儒家思想)을 이어받 은 漢儒는 통치에 대해서 역사적인 사실과 관련지어 是非를 판단하였다. 정현은 『序 』의 詩旨에 따라 ‘정변’을 구분하고 역사

In this dissertation, we try to find out the iconization of Shijing(詩經). In order to have better understanding of Shijing(詩經), different analysis was done in the matter of the confucian classic side. In ancient China, they had very old tradition of reading books in a specific way, which is called ‘Zuo Tu You Shu(左圖右書)’. This means that people would read books with the picture on the left side of the book, and the Chinese characters on the right side of the book. Because of this, iconography of the Shijing(詩經) varied after Late Eastern Han Dynasty period of time. The Illustration of the Shijing(詩經) can be divided into two kinds depending on the characteristics of the picture. The first kind is practical paintings of all things, which depicts flowers, tree, fish, or regular things in the daily life, and the second kind is poetry-based-Paintings, which translate poem into drawing. However, in my dissertation, I argue that the illustration of the Shijing(詩經) can be divided into three kinds, and the last one is character paintings. all three of this pictures contributed to the interpretation and dissemination of the Shijing(詩經). However, specifically character paintings mostly highlighted the confucian classic side of the Shijing(詩經). So far, illustration study of the Shijing(詩經) belittled the character paintings. This was because they had many letters, but few illustration that depicts the feature of the figure. However, if we look at the view of the letter studies, we need to pay more attention to the visual effect of the letter characters. That is because, visual aspects of letter characters can have enormous effect on the readers since they can incorporate more value beyond its own literal meaning of the letter.