So far, the academic community has not reached a consensus on the naming and categorization of the creation of Chinese writers. It has generally been carried out around “World Chinese Literature”, “Sinophone Literature” and “Ethnic Chinese Literature”. This is because of the different academic positions of scholars and the different emphasis of the issue. This also reflects the importance of the creation of Ethnic Chinese writers and the significance of the study of Chinese writers. When dealing with the historical resources of revolution, their themes always cannot judge the right and wrong of history, and the entanglement of real life. The writing of suffering is basically centered around these themes. This explains to some extent the dilemma facing Chinese contemporary literature. Whether Chinese contemporary literature can get rid of this predicament. This study takes Chinese writer Li Yan's Chinese version of “Daughters of the Red Land” as the research object. Through textual perusal and psychoanalysis, cultural analysis and other methodologies, this paper analyzes the ideological level of the novel and analyzes how Li Yan reflects on the history of the country as a life. Many years of intellectuals in North America, she has thoughts about Western culture. Li Yan’s double reflection is full of criticism, deconstruction and reconstruction consciousness, and analyzes the meaning of this consciousness.