The “overseas characteristic” of Chinese literature is a very general concept, and its creation is closely related to the writer's writing style and personal life perception.If there is an “overseas characteristics”, I think it should be that immigrants are affected by double culture or even multiple cultures at the same time, which must have culture shock and may also cause identity anxiety. But after this stage, people with sensitive personal life perception will have a process of reflection on themselves and their mother culture. Then it will gradually shift from focusing on external world phenomena to focusing on the growth of the individual's inner self. Chinese-american writer Chen Qian can be said to be an excellent representative of this aspect. “Leaving” is a basic tone in Chen Qian’s works, and the protagonists in Chen Qian's works often leave for better adherence, adherence to self, adherence to their own inner dedication and dream. This paper mainly discusses why the protagonists in Chen Qian's works leave and why they stick to them, in order to explore the influence of individual self-consciousness and mirror image on their own growth, and further explore how Chen Qian views the meaning of life existence. 저

“Grassroots literature” is different from “elite literature” and “popular literature”. The main bodies of elite literature and popular literature are intellectual elites or professional writers, while “grassroot literature” mainly refers to the works created by amateur writers out of hobbies. In addition to this meaning, the “grassroots” writing of Chinese in Quebec also emphasizes the process of reflecting things, expressing thoughts and feelings, conveying knowledge and information, and realizing communication through description. The collection of works studied in this article is a collection of novels published by the Quebec Chinese Writers Association in Quebec. It can be found that the intended readers of these two works are Chinese living in Canada. There are imaginations of each other in the works, and they have a strong local presence. Therefore, their attitude towards life is assimilated and actively involved in local life. This kind of local awareness is not to get the mainstream society's identification with oneself, but to love Canada from the heart.

So far, the academic community has not reached a consensus on the naming and categorization of the creation of Chinese writers. It has generally been carried out around “World Chinese Literature”, “Sinophone Literature” and “Ethnic Chinese Literature”. This is because of the different academic positions of scholars and the different emphasis of the issue. This also reflects the importance of the creation of Ethnic Chinese writers and the significance of the study of Chinese writers. When dealing with the historical resources of revolution, their themes always cannot judge the right and wrong of history, and the entanglement of real life. The writing of suffering is basically centered around these themes. This explains to some extent the dilemma facing Chinese contemporary literature. Whether Chinese contemporary literature can get rid of this predicament. This study takes Chinese writer Li Yan's Chinese version of “Daughters of the Red Land” as the research object. Through textual perusal and psychoanalysis, cultural analysis and other methodologies, this paper analyzes the ideological level of the novel and analyzes how Li Yan reflects on the history of the country as a life. Many years of intellectuals in North America, she has thoughts about Western culture. Li Yan’s double reflection is full of criticism, deconstruction and reconstruction consciousness, and analyzes the meaning of this consciousness.