The analysis of an art trend in the principle dimension starts by observing the object of work in the perspective of formative composition and recognizing it as a universal system. It can be said that it is consistent with an interpretation method for a form theory of formal history by Heinrich Wölfflin, a leading form critic in art criticism. Hence, the purpose of this study was to find out what are the formative principles in Renaissance Classicism as a design principle to be applicable to modern fashion by reviewing the formative characteristics of Renaissance Classicism Architecture with which Wölfflin directly dealt. As for the theoretical literature review, I used Wölfflin's theoretical framework and looked at the Renaissance Classicism Architecture that he studied and examined the possibility of utilizing his theory as a layout principle and the characteristics. As for analysis of design cases, I applied the aforementioned architecture layout principle to modern fashion and conducted case study analysis to delve into distinctive layout principles found in fashion. The study showed that the Renaissance Classicism Architectural Style is marked by linearity, planarity, closing and multiple unity: linearity was expressed in the observation form in fixed frontal view and an emphasis on a tangible silhouette homeogenous and definite line structures; planarity was achieved in the form of paralleled layers of frontal view element, planarity style, and identical and proportional repetition of various sizes.; closing signified the pursuit of complete and clear regularity, and architecture developed in a constructive phase through organizational inevitability and absolute invariability.; multiple unity was expressed in self-completedness and independent parallel of discrete forms and harmony of emphasized individual elements in a totality. Applying these layout characteristics of the Renaissance Classicism Architectural style and to see their individual expressive features, I found out that in adopting layout principles of the Renaissance Classicism Architecture to modern fashion, it turned out to be an emphasis of individual silhouettes, a flattened space, completed objects, organic harmony among independent parts: the emphasis of individual silhouettes was expressed in individual definitiveness of formative lines of clothes in accordance with body joints and an emphasis on formative lines of clothes; the flattened space was marked by single layer structure, planarity of elements of clothes, and listing arrangement by appropriate proportion.; the completedness of the objects was expressed by the stationary state where overall image is fixed, the construction of homogeneous and complete space, and absolute inevitability of internal layout in proportion; lastly, organic harmony of independent parts was stressed in independent completedness of each detail, and organic harmony of the whole. The expressive features would lead to a unique expression style of linear emphasis, proportion, constructive forms, and two-dimensional arrangement. The meaning of this study is follows: The characteristics of art school of thought are given shape by appling & analysing the architectural layout principles of historical art school of thought to modern fashion in the view point of formal construction dimension. The applied possibility of historical art school of thought as the source of inspiration about the fashion design is extended.

디자인 스케치는 창의적인 아이디어와 조형을 고려한 시각적인 전달력을 향상하는 표현력 습득한다. 또한, 디자이너에게 조형을 통한 미적인 기준을 중심으로 하는 디자인 스케치 교육은 필요하다. 그러므로 조형의 원리와 요소에 대한 이해가 필요하다. 조형의 구도는 루펜스의 화면 구도를 기본으로 하였다. 석고 소묘의 구도와 수묵화의 선과 먹의 농담, 여백의 구도 사례를 통하여 스케치에 적용 가능한 조형을 제시하였다. 디자인 작업에서 비중이 증가하는 3D CAD는 디자이너의 스케치 능력 향상을 위한 발상과 표현에 매우 중요한 부분이 있다. 이유는 사물을 보고->이해->상상->표현하는 과정의 연습이 지속적으로 필요하다. 디자이너가 사물을 보고 이해하는 과정을 2차원 삼면도의 원리를 기본으로 하는 것이다. 이해가 되었다면 사물의 다양한 형태를 3차원 투시를 통하여 상상하고 스케치로 표현 할 수 있을 것이다. 또한, 3D CAD의 중요한 기법을 이해한다면 스케치 표현력 향상에 방법이 될 것이다. 이를 위한 3D CAD의 핵심적인 원리와 스케치의 적용방법을 소개하였다. 또한, 3D CAD의 요소를 이해하는 스케치 표현으로 사례를 같이 제시하였다. 결과적으로 조형과 3D CAD 요소를 고려한 스케치를 그리기 방법과 화면의 조형 분석 사례를 함께 제시하였다. 이를 통한 디자이너의 조형과 CAD의 융합을 통한 스케치 능력 향상이 가능하고, 디자인 과정을 중심으로 하는 사고의 확장이 이루어질 것이다.