The interlacing technique has a long history of use as a means of creative expression and persists in modern society to satisfy the individual pursuit of pastimes. This method has the developmental potential to create new trends in the future. Interlacing techniques (e.g., basketry, plaiting, braiding, and knotting) are closely related to plastic arts fields, architecture, art, and industrial design where the various interlacing practices are applied. This research uses case analysis to study the types of expression found in the formative art field wherein the interlacing technique is applied. Results reveal several expressions, including optical illusion visual type, relief surface type, porous perspective type, and object borrowing type, all of which appeared in fashion bags. The aesthetic formativeness, which appeared in the fashion bags that applied interlacing techniques, was then classified according to geometric formative beauty in a process based on rules and order. Nature-friendly formative beauty reflecting handicraft locality and omnidirectional formative beauty by disordered deconstruction and heterogeneous combination were determined. The use of interlacing techniques that show creative, unique combinations and variations is expected to inspire the development and application of bag design that suits individual and original modern fashion trends. One limitation of this thesis is that it only studied cases appearing in modern fashion bags.

The purpose of this study is to contribute to the role of lines in creative design development by analyzing the expression types and aesthetic characteristics of modern fashion using geometric formativeness of symmography. A literature study was conducted of works since 2009 to examine the general consideration of lines together with analysis of the concept and characteristics of symmography in the formative arts field, and to analyze the expression types and aesthetic characteristics of modern fashion design using the formativeness of symmography. The infinite sense of formativeness and original expression of symmography are used in formative arts such as space design, installation art, and industrial design. Expression types of modern fashion design using geometric formativeness of symmography can be classified into the following three types: two-dimensional graphic pattern, relief surface, and threedimensional spatial. First, the two-dimensional graphic pattern type forms an optical pattern, providing individuality and visual interest to the textile design. Second, the relief surface type expresses the plane in various ways, so that the thickness changes according to how lines overlap. Third, the three-dimensional spatial type expands the boundaries of clothing and creates a fantastic spatial beauty. Next, the aesthetic formativeness of fashion design using symmography can be classified into repetitive rhythmicity, geometric self-similarity, and optical spatiality. Symmography enables a myriad of geometric patterns to be developed depending on material, color, and the designer’s imagination, and helps inspire a variety of designs in fashion that sculpt a three-dimensional human body.

The purpose of this study is to provide ideas for the development of bag design by analyzing the expression types and aesthetic formativeness of modern bag design using tassels and fringe given the newtro trend pursuing analog sensitivity in modern society. The methods and scope of this study are as follows. First, the related literature and internet data were reviewed in order to examine the expression types and characteristics of the bags of the West and East. Next, the definition and characteristics of tassel and fringe decoration in terms of the history of clothing were analyzed. Finally, the expression types and aesthetic formativeness of tassels and fringe were derived through the analysis of modern bag design shown in the fashion collections since 2010. The bags decorated with the tassels and fringe bring a variety of visual effects depending on the attachment position, direction and material composition, concentrating the gaze and radiating original style. In this study, the expression of tassels and fringe in modern bag design was classified into three types: surface decoration, shape variability, and object combination. Next, the aesthetic formativeness of modern bag design using tassels and fringe as decorative elements appeared through the mixture of heterogeneous materials and playfulness through imagination, exaggeration through extension of length and volume, and retro characteristics through reinterpretation of tradition. This study is expected to contribute to creative ideas of modern bag design which requires a global sense, which has been used in various cultures for a long time.

Finding the origin of life-centrism in East Asia, especially a longevity, you can find a harmony of the nature and mankind in Ancient Chinese myth and rarity about a idea of afterlife. In Chinese important trend, Confucianism and Taoism, their attitude to life shows a life-centrism. Confucianists' final aim at life is remaning their name in real life, so they don't care about afterlife. They put emphasis on the immortal fame and the happiness, comport in life. Taoists think the lifespan is the absolute objective because they believe the penalty for faults is lifetime shortening. The Ten Traditional Symbols of Longevity is a group of the long life stuff symbolize the longevity. The first record of them appeared in the royal paintings in Goryeo Dynasty. These symbols used in the folding screen, windows and doors in palace and expand to ordinary people because of the development of commerce after the 18th century. After that, symbols have widespread popular support so appear in the folding screen, woodcraft and embroidery. The Ten Traditional Symbols of Longevity describes the hermit's world, it contains the real organisms of sky, underwater and land. Symbols are the combination of objection to life, desire of longevity and transcendence in life. They show us the concentration of real life.

This study aims to analyze contemporary women's sense of fashion aesthetic by looking into the design and trend of T-panties, which have now carved out a new niche in the world's 21st century female underwear markets. By this, I'd like to reassure readers of the importance of T-panties, which has only been recently recognized, and more generally suggests the future direction of prominent T-panty design development. First, western urban chic, Japanese minimalism and domestic modern feminine images all have common modern urban sense and simple designs. However, each image is not a simple image in itself. For example, in the case of western style they often seek to convey a sophisticated and stylish street sense, while Koreans add a more cute, lovely, and feminine touch. Second, western restrained eroticism, Japanese fetishism and domestic mono-bosom images all have a common interest in sex. They is something, however, which they all express this differently. In Japan, they prefer a stimulating image. In the West, however, this is restrained by controlling and limiting overt sexual elements, while in Korea, we seek to capture a more simple sensual beauty. Third, western couture luxury, Japanese orientalism and Korean utopia narcissism have classy images in common including splendid materials and decorations with embroidery. They all differ depending on their nationality. This study is baseds on the documents study. This study is baseds on the documents study.

This study aims to analyze contemporary women's sense of fashion aesthetic by looking into the design and trend of T-panties, which have now carved out a new niche in the world's 21st century female underwear markets. By this, I'd like to reassure readers of the importance of T-panties, which has only been recently recognized, and more generally suggests the future direction of prominent T-panty design development. This study aims to analyze contemporary women's sense of fashion aesthetic by looking into the design and trend of T-panties, which have now carved out a new niche in the world's 21st century female underwear markets. By this, I'd like to reassure readers of the importance of T-panties, which has only been recently recognized, and more generally suggests the future direction of prominent T-panty design development. The domestic formativeness of all styles is divided into three types: modern feminine, mono-bosom, and utopian narcissist image. This study is baseds on the documents study.

교과서는 시대적 이념과 가치를 반영하고 있는 공식적인 지식 전달의 매체이다. 학습자는 교과목에 대한 첫 이미지를 교과서의 표지를 통해서 갖는다. 교과서 표지는 교과목에 대한 인지가 시작되는 영역임에도 불구하고 그 동안 충분히 연구되어 오지 않았다. 초등학교 국어과는 언어 학습을 통해 의사소통 능력을 신장시키고 더불어 창의적 사고력을 발달시킬 수 있는 기초 교과목이다. 본 연구에서는 국내외 초등 국어교과서 표지의 시각이미지에 대한 조형성을 비교분석하여 향후 국내 초등 국어교과서 표지 디자인의 방안을 제시하는데 연구 목적이 있다. 국내외 초등 국어교과서 표지의 시각이미지를 시각적 ⋅상관적 요소의 6가지 항목인 형상, 크기, 색채, 방향, 레이아웃, 배경으로 분석한 결과, 국내의 경우, 단일한 메인 오브제를 강조하고 제한된 색채를 적용하여 시각적 아이덴티티를 분명하게 만들어야 한다. 학습자의 창의력을 유발하기 위하여직 접적인 그래픽 모티브와 구체적인 공간과 상황의 묘사보다는 추상적 발상에 근거하여 시각이미지가 구성되어야 한다.