T. S. Eliot is a tactful poet and dramatist. He makes use of “borrowing” from a huge range of sources, including Indian and Buddhist materials. “Datta, Dayadhvam, Damyata” and “The Fire Sermon” in The Waste Land are typical examples. But they are mere visible tips of the mass. This paper focuses on The Confidential Clerk and observes how he manages the characters in the drama in accord with the personages in the two Buddhist sutras, Vimalakrti-nirdea-sutta and rml-sutta, about which he learnt in Anesaki’s lectures in 1913 at Harvard. (The documents are now kept in the Houghton Library, Harvard University.) Eliot’s characters, Sir Claude and Lady Elizabeth show a close resemblance to King Prasenajit and Queen Mallik, and Lucasta looks like rml, together with Kagan, Ayodhy. Colby’s paternalship to Sir Claude is almost the same with the case of Prasenajit and his son. In this way, the theme of Eliot’s play of a lost and found children is framed and woven stealthily by “authors remote in time, or alien in language.”

T. S. Eliot, in one of his later poetic dramas, The Conjìdential Clerk, shows the search for the mistaken identity dealing with lhe discovery of hero' s self for the eternal life in 버e common lives. From the titlc onwards the play also suggests a detective thriller interest concerned with Lhe investigation of a mystery or, at least, some business of a secret, confidential nature. In this respect, lhe elemenls of mystery and lheir function deserve to be analyzed. It appears via the elements of investigal.ion. coincidence. mystjfication, confession etc., which make the play fairly diverting and at the same time suggest symbolically its deeper meaning and lheme. AClually the process of invesligalion receives more extended treatment in this play than in I.he earlier ones. and the suspense is so well maintained that the play definitely achieves a technical smoothness 1101 to be seen in earlier plays. Therefore, this study aims to analyze the myslery lhriller elements of tbe play, The COlljìdential Clerk and investigate how they are used with special reference to its subject matter, the mistaken identity revealed in the process of self-identification through the discovery of self. As seen in the analysis, Eliot makes all the characters take part in the search for the mistaken identity of Colby Simpkins and in particular, lets a detective named Eggerson help M rs Guzzard as witness give evidence. 10 addition, he designs the story so that Eggerson can bring the whole affair to light by getting lhe c1ue to lhe identity problem which plays part in investigation. It matters that the discovery of hero’s true self is made Ihanks 10 the cooperalive efforts of all Ihe characlers in Ihis process, and here Ihe elemenls required 10 invesligation are of great help to structuring the basic frame of Ihe play.