본 연구는 청년의 회복탄력성이 외로움에 미치는 영향을 사회자본이 조절하는지 검증하는 것이 목적이다. 이를 위해 전북특별자치도에 거주 중인 만 19세~34세 이하의 청년 260명을 대상으로 조사하였고, 최종 212명의 자료가 분석에 활용되었다. 본 연구의 주요결과는 다음과 같다. 첫째, 청년의 회복탄력성이 외로움에 부적(-)영향을 미치는 것으로 확인 되었다. 둘째, 청년의 회복탄력성이 외로움에 미치는 부(-)의 영향을 사 회자본이 조절하는 것으로 확인되었다. 마지막으로 청년의 회복탄력성과 외로움의 관계에서 사회자본의 하위요인(신뢰, 규범, 네트워크)의 조절 효과를 각각 확인한 결과 신뢰와 네트워크의 조절 효과가 확인되었다. 본 연구결과를 통해 청년의 외로움을 보호하기 위해 개인적 측면으로 회 복탄력성을, 사회적 측면으로 사회자본을 구축할 수 있는 다양한 지원체 계가 필요함을 확인하였다. 본 연구결과를 바탕으로 청년의 외로움을 위 한 실천적 전략을 제언하였다.

This paper discusses perfectionist writers W. B. Yeats and James Joyce. To compare how they worked slowly and creatively toward completing a work, I take two works by Yeats and Joyce, two of their best works. Yeats tends to work on his poems and plays continuously, even after they have been published. This paper looks at the rewriting of “Leda and the Swan” in several different stages, in order to see how the poem gather intensity and art, as an exemplification of what he did as a literary artist. Yeats’s attitude toward art and his literary style can be compared to the traits of art, and his literary style can be compared to that of the young artist depicted in A Portrait. In fact the young artist Stephen can be seen as Joyce the artist, and the paper discusses Stephen who grows linguistically and artistically competent. Yeats and Joyce are not merely Romantic writers; they were determined to develop new art and bring it to the highest perfection. And indeed they have achieved it in their works respectively.

This article explores Yeats's “A Man Young and Old”. This series poems described conflict between a man and a woman. According to Yeats's theory of the art, people are in a perpetual conflict of opposites. Opposition determines the cycle pattern of life and ensures recursive waves of love and hate as men and women struggle toward personal collective Unity of Being. Such conflict evokes differences between person and daimon, and also between men and women. These parallel conditions suggest an analogy: man relates to his daimon as to a woman. Later, Yeats conceives the daimon not only as a woman bur as a gendered being in her own right. Gender provides a crucial key to Yeats's art, because gender is imprinted upon all temporal and spiritual reality. It is employed not only as a subject in his poetry, but as the means of fleshing out his philosophy and clothing his personal experience in a universal and comprehensible metaphor. Gender determines the way Yeats's views reality. In “A Man Young and Old”, Yeats describes a type of personality that is consummately objective-primary-solar-masculine according to his vision of archetypal phases. Although that personality is consistent throughout the sequence, there are stages of experience and insight that shift from youth through maturity to old age, as the title signifies. This personality attempts to make sense of his life through the gendered relationships that are at once the source of his lost innocence and the anchors of experience from which he gleans hard-earned insight. If there is one word that characterizes the man's perspective, it is adversarial.