The Genus Rhynchaenus Clairville, known as a significant pest group with distribution of worldwide. 40 and 11 species were reported in Japan and China, repectively. Members of Rhynchaenus are usually known as flea weevils and leaf-miners on laval stage. While working on Insects founa of Island, we discovered one species, which is a newly added to the Korean founa (Rhynchaenus maculosus Yang & Zhang). This species was newly emerging pest severely Oak in China. The diagnosis, photographs of habitus and diagnostic characters are provided to facilitate identification.

장양은 제6세대 감독 중에서 대표적인 상업영화 감독이면서, 동시에 가장 주선율적인 색채가 농후하다는 평가를 받는 감독이다. 그의 영화는 소시민의 애환과 삶을 다루면서 시종 온정어린 시선을 유지하고 있는 것이 특징이다. 가족애의 회복과 사랑의 추구 등 전통적인 가치관과 인간애에 대한 가치에 주제를 두고 있지만, 한편으로는 현대중국사회의 모순과 사회적 약자가 안고 있는 비루한 삶의 원인에 대해서는 외면한다는 지적을 받고 있기도 하다. 이러한 점에서 그의 영화는 상업적인 외피를 두르고 있지만, 집단주의를 옹호하고 발전된 현대 중국의 찬란한 장면만을 담아내는 주선율적인 요소를 내포하고 있다고 할 수 있다. 이에 본 논문은 장양의 영화에서 나타나는 상업성과 함께 상업영화에 내재된 주선율적인 요소를 탐색 하고 있다. 구체적으로는 그의 영화가 어떠한 주제와 서사구조를 가지고 있는지 알아보고, 그의 영화가 어떠한 방식으로 상업성과 주선율적인 요소를 담고 있는지 살펴보고 있다.

This writing had research subject as Zhang Yang's movies titled <Getting Home(落葉歸根)>(2007) and <Full Circle (飛越老人 院)>(2012). Two pieces of movies are roughly distinguished from the existing movies in a sense of having commercially consumed a social issue, which is caused by migrant workers and aging, with the use of road-movie genre. This study was progressed a research with paying attention to this point. First, it considered the process that socially underprivileged people such as migrant workers proceed with being included in the mainstream narrative. It clarified that the combination of road movie and comedy is proceeding with solidifying position as one new trend while illuminating the process that migrant workers, who had been addressed realistically, are divided into a character of comedy and are again mixed with road movie. Second, a gap could be confirmed to be created between journey and reality shown in a movie due to the combination of road movie and comedy. And it examined how socially underprivileged people were commercially played a variation to be applied. At the same time, it could confirm that there is reality outside journey in a sense that therapy of being mobilized by family love is proposed as solution rather than complaining about and reflecting on reality with which socially underprivileged people are faced.