This study was conducted to clarify behavior and body weight of weaned piglets between different social experiences during suckling period. Control (no social experience) and treatment (social experience) groups of weaned piglets were housed and observed with the aid of video technology for 8 consecutive hours in early (days 1 and 2) and late (days 22 and 23) periods after mixing. Inactive, locomotion and exploration were significantly different between control and treatment groups in early mixed period. Feeding differed between groups in late mixed period. In social behaviors, agonistic and interaction with adjacent pen were significantly higher in treatment group than in control group during early mixed period. However, social behaviors dramatically decreased in late mixed period. There was negative correlation between average daily gain of body weight and agonistic behavior. In social experienced weaned piglet groups, there were less agonistic behavior and more daily gain of body weight in this study. Social experience during suckling period would be useful for stable group management in swine industry.

The relationships between fashion and architecture have been interactive. Since the fashion has had the role to decide the structure type of urban environment, it is becoming the new sign of space boundary. This study searches the social and cultural characteristics of Nomadism and the relationships among all kinds of changing objects. After then, the module system characteristics are meditated by analyzing the composition method of module system in architecture. Moreover, the study examines the aesthetic values in the fashion and body architecture from artistic aspect. Based on the above discussion, the followings are the characteristics of body architecture as the social structures expressed in modern fashion. The liquidity is the fluid form of dynamic structures. It shows the extended space form which produces the continuity. The transformation is the variable structure by module system and it forms the diversified structural combination. The movement combines the controlling function to be able to regulate and move freely the body related objects. The convergence is the text combination interpenetrated mutually in enlarged space. Through this, the non-linear continuity and the access of the individual factors are shown.

In Malaysia, figurative painting has increasingly become a means for artists to pose questions about presumptions of power and assumptions of history. The body, its potentially breached boundaries and defenses, forms an integral component of the battle for political influence. The degree of control over one's own and other people's bodies has become a measuring stick to determine the power of potential political leaders. Anxiety about boundaries and access to powerful bodies is intertwined with the questions of who has the right to hold power; the relevance of moral bodies and of what comprises an ideal self or selves. These questions are raised in intriguing ways in contemporary Malaysian art. While eschewing a direct take on current politics, Malaysian artists have increasingly turned to the body to address issues in Malaysian history, culture and the distribution of power. This paper will explore some works by three artists in particular, Wong Hoy Cheong, Nadiah Bamadhaj and Ahmad Fuad Osman use the figure to problematise dominant narratives in Malaysian history. Their work variously challenge political, racial and gender hierarchies and in so doing, reveal them as social constructions.