于堅의 시는 지배 이데올로기의 詩化에 대한 반대를 기점으로 한다. 그로 인해 그의 시는 몽롱파의 문혁 비판에 동조하지 않고, 일상의 진실에 근거한 디테일의 추구로 나아가는 모습 을 보여준다. 중심부로부터 멀리 떨어진 昆明에서 지루한 시간, 무료한 일상, 의미 없음의 집 적을 겪고 있었던 그는 雲南의 시공에 대한 天人合一이라는 자기 시의 특별한 분위기 속에서 개혁개방으로 인한 균열을 체험하게 된다. 시장화의 속도는 익숙한 모든 것들을 소멸시키거 나 오염시키게 되고, 그 속에서 디테일의 진실을 추구하던 于堅은 자신의 사회적인 의미를 깨달아 가면서 현실비판의 안전지대를 확대해 가게 된다.

The basic point that YuJian’s poetry was trying to get across is against turing the ruling ideology into a poetic statement. He disagreed with criticizing the Cultural Revolution of ‘Misty poetry’ in this sense. The contents of YuJian’s poetry are in pursuit of depicting the details of one’s realistic daily life. His poems are boring in general, however, based on the subjectivity and self-consciousness.
After the end of the Cultural Revolution, his Avant Garde poetry could earn the positive reviews during the time when the left was collapsing and the right was forming the new organization. He lived a dull and monotonous life in Kunming far away from the capital city so he expressed his unique and artistic style ‘unity of man and nature’ about Yunnam’s nature.
But he recognized there was a crack in his consciousness of ‘unity of man and nature’ after China’s reform and opening up. Marketization destroyed everything familiar and he gradually expanded the safe zone where he could criticize the reality as he realized his social position. YuJian’s poetry was changed from naturalism to realism. His poetry shows the expectation of freedom. And on the other hand, it reflects the awareness of sanctity of life by warning of environmental destruction.

머리말
 1. 이데올로기 비판
 2. 아방가르드의 양면성
 3. 자연주의 언어형식
 4. 디테일의 깨달음
 5. 雲南과의 天人合一
 6. 균열에 대한 예감
 7. 오염/그리움과 구속/자유
 결론
 【참고문헌】
 【논문초록】

• 백정숙(동아대학교 중국어학과) | Baek Jeong-Suk