The color that painted on the ground of Dancheong becomes Gachil(basecoat)-Dancheong and underpainting of Moro-Dancheong or Geum-Dancheong. So, the color of underpainting is the most important element that determines impression of the building. Thus, the architecture after using “Sangrokhadan” has different characters from what it had been. In the existing perception toward the background color of Dancheong, it was considered the characters of Korean Dancheong so-called “Sangrokhadan” that paint vertical elements like columns red and upper part of the columns green. But this study examined the color of Dancheong according to the era and region before and after Goryeo Dynasty era, then it reveals that Sangrokhadan technique was applied from the 14th century in the late Goryeo Dynasty. One of the Goryeo architecture, Geungnakjeon Hall of Bongjeongsa Temple is thought to be a previous style that is not applied “Sangrokhadan” technique because old elements are painted red pigment.

Abstract
 1. 서 론
 2. 기존 연구와 上綠下丹적용사례
  2-1. 기존 연구의 경향
  2-2. 고대건축 복원에 적용된 上綠下丹기법
 3. 上綠下丹의 인식과 丹靑용어사용
  3-1. 上綠下丹인식의 확산
  3-2. 단청 용어사용의 변화
 4. 고려시대 건축 색채사용의 변화
  4-1. 고구려 고분벽화의 朱漆
  4-2. 고려불화에 등장한 上綠下丹
  4-3. 고려시대 上綠下丹단청기법의 수용
 5. 고려시대 전후 동아시아의 건축 색채
  5-1. 敦煌莫高窟건축도에 보이는 변화
  5-2.  『영조법식』에 기록된 다양한 채화
  5-3. 元代上綠下丹기법의 정형화
  5-4. 일본 고대건축의 朱漆
 6. 맺음말
 참고문헌

• 이은희 | Lee, Eun-Hee Corresponding Author