This research aims to demonstrate the sociocultural significance of architectural journals produced in the 1970s during which a fundamental reconsideration of architectural discipline has been made. To this end, we established a method of analysis adapted to the characteristics of architectural journals of that period. In this formulation, the relative autonomy of architectural journal with regard to various actors and institutions involved in its production emerged as a major criterion for the analysis of a journal. From this methodological reflection, we analyzed two French architectural journals, AMC published between 1973 and 1981 and l’Architecture d'Aujourd'hui between 1974 and 1977, which were produced both in close relation with parisian architectural schools (UPA) in the context of reestablishment of architectural education and beginning of architectural research in France after the events of May 1968. If these journals reflected and strengthened the architectural reality and especially the social network of their protagonists, it is equally important to note that they have transformed it into cultural network, and this by the mechanism proper to their preparation and their textual organization.

1. 서론
    1-1. 연구의 배경
    1-2. 연구의 대상
2.역사적 이론적 배경
    2-1. 1960, 70년대의 프랑스 건축계
    2-2. 건축전문지의 상대적 자율성
3. 두 개의 전문지 분석
    3-1. 발행인과 전문지의 관계
    3-2. 참여자, 참여기관, 편집 정책
    3-3. 사회적 네트워크의 확장
    3-4. 『아엠쎄』와 문화적 네트워크
4. 결론
참고문헌
Abstract

• 이종우(한양대학교 건축학부 강사, 건축학박사) | Jong-Woo Lee (Lecturer, Hanayng University) Corresponding author