This research interprets the unique hybridity of the pavilion architecture in the Joseon Dynasty, in which the name and form do not match and the rooms and floors are combined in various ways, through the confucian architectural prototype Muijeongsa(武夷精舍) built by Zhu Xi(朱熹). The architectural representation of Muijeongsa, developed against the background of the mid-Joseon period of active pavilion management by Sarim(士林) groups, the spread of ondols due to the Little Ice Age, and an architectural culture following the footsteps of the Zhu Xi is likely to have influenced the perception and practice of pavilion architecture. In this research, by examining and analyzing the contents of the Muijeongsa Japyeongbyeongseo(武夷精舍雜詠幷序) containing the architectural composition of Muijeongsa, it was confirmed that different types of spaces such as Dang(堂), Jeong(亭), Jae(齋), and Gwan(館) are integrated into Muijeongsa. Based on this, the main examples of the architecture of Jeongsa in the mid-Joseon Dynasty were reinterpreted into four types from the perspective of the combination of Dang and Jeong, and the junction of Jeong and Jeongsa. Dang and Jeong were either juxtaposed as separate buildings or implemented with a relationship of inclusion within one building. And the concept of Jeong, which was considered secondary to Dang, was used as a category that was replaced with the Jeongsa itself. Lastly, the name ‘Jeongsa’ was used, but the location had a strong character of ‘Jeong’, and the architectural form adhered to the form of ‘Dang’, thereby exquisitely reconstructing the composition of Muijeongsa as a single building.

1. 서 론
2. 누정 건축의 배경으로서 조선 중기
    2-1. 사림의 활발한 누정 경영
    2-2. 소빙기로 인한 온돌의 확산
    2-3. 성리학의 심화와 유교 건축의 정립
3. 주자가 기록한 무이정사
    3-1. 주자의 무이정사 건립과 관련 기록
    3-2. 무이정사잡영병서 에 기록된 정사 건축
4. 조선 중기 정사와 누정의 접합
    4-1. 옥산정사와 원지정사: ‘당’과 ‘정’의 병치
    4-2. 도산서당과 농운정사: ‘정’을 포함한 ‘당’
    4-3. 겸암정사 외: ‘정’과 ‘정사’의 혼용
    4-4. 암서재와 남간정사: ‘정사’를 표방한 누정 건축
5. 결 론
참고문헌

• 임한솔(서울대학교 환경계획연구소 선임연구원) | Lim Hansol Corresponding author