This study, drawing on Pierre Bourdieu’s theoretical framework of “champ”, “habitus”, and “capital”, traces the three-stage evolution of Chu Tienwen’s linguistic style from “fresh and plain(清新素朴)” to “ornate and baroque(繁复华丽)” and finally to a “sorcery-like poetics(巫术诗性)”. Through close readings of The City of Hot Summer(炎夏之都), Fin-de-siècle Splendor(世纪末的华丽), Notes of a Desolate Man(荒人手记), and Wuyan (巫言), this study explicates the interactive mechanisms among stylistic shifts, the transformations of the Taiwan literary champ, the “collective habitus” of literary groups, and the operation of capital. Nurtured in her early phase by military dependents’ village culture and Hu Lancheng’s aesthetics, Chu Tienwen adopts a restrained, concise, and colloquial mode of writing that produces a distinctive sense of clarity and serenity. After the lifting of martial law, under the impetus of urban culture and cross-media experience, and through the strategic pursuit of the reproduction of cultural capital and symbolic capital, her style develops into one marked by lexical luxuriance(辞采繁缛) and imagistic opulence(意象富丽). Entering the twenty-first century, within a postmodern literary champ she engages in a reflexive reconstruction of habitus, extending the boundaries of fictional language through nonlinear, ritualized discourse and shamanic imagery(巫魅意象). This study concludes that the metamorphosis of Chu Tienwen’s linguistic style is not a mere self-propelled aesthetic evolution of an individual writer, but the outcome of the continual shaping of her habitus by the literary champ of production; through conversions among different forms of capital—especially cultural and symbolic capital—she actively positions herself and realizes literary value. This has instructive implications for research on contemporary literary styles in Chinese.

本文以布尔迪厄“场域”、惯习”、资本”框架为理论基础，梳理了朱天文语言风格 由“清新素朴”—“繁复华丽”—“巫术诗性”的三阶段演进，并以炎夏之都世纪末 的华丽荒人手记巫言等文本细读为例证，揭示风格转变与台湾文学场域更迭、社群 “群体惯习”及资本运作之间的互动机制。早期受眷村文化与胡兰成美学滋养，朱天文以 克制、简洁的口语体书写，展现清明宁和的独特风格；解严后在都市文化与跨媒介经验推 动下，经文化资本再生产与象征资本的策略化追求，形成辞采繁缛、意象富丽的风格；进 入二十一世纪，则在后现代场域中展开惯习的反思性重构，以非线性、仪式化语言与巫魅 意象拓展小说语言边界。研究发现，朱天文的语言风格嬗变并非单纯个体审美的自然流变，而是作家惯习与文学生产场域持续影响的结果，并通过作家对文化资本的主动转换完 成自我定位与价值实现，对当代文学语言风格研究具有启示性作用。

【目 录】
【摘要】
1. 前言
2. 理论框架：“场域”、“惯习”与“资本”
3. 朱天文语言风格的三阶段演进
    1) 早期：集体惯习与“清新素朴”
    2) 中期：场域调适与“繁复华丽”
    3) 近期：反思重构与“巫术诗性”
4. 结论
【参考文献】
【论文摘要】

• 刘芳 (全北大学校中语中文科 博士研究生) | 류방
• 李淑娟(全北大学校中语中文科 教授) | 이숙연 Corresponding author