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1970년대 오키나와 현대 건축의 지역성 표현 - 네 건축가 집단에 대한 사례 연구를 중심으로 - KCI 등재

The Expressions of Regionality in Contemporary Okinawan Architecture in the 1970s: Case Studies of Four Architectural Groups

최은지, 우동선, 강영지
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건축역사연구 (Journal of Architectural History)
한국건축역사학회 (Korean Association of Architectural History)
초록

The reversion of Okinawa to the Japanese mainland in 1972 marked a crucial turning point in contemporary Okinawan architecture. Following 27 years of U.S. military administration, the Japanese architectural community‘s discussions on identity and regionality intensified. The Okinawa International Ocean Exposition (1975) rapidly expanded public development and tourism while promoting Japanese architects' entry, reinforcing Okinawa’s external dependence. This study examines how regionality was expressed through four distinct approaches in 1970s Okinawa. First, Kikutake Kiyonori's internationally oriented technological idealism utilized the Okinawan ocean as an experimental site detached from local contexts. Second, Kinjo Nobuyoshi explored Okinawa's inherent uniqueness by applying traditional elements to modern architecture, yet showed limitations in visual symbolization of tradition. Third, Kokuba Yukifusa brought mainland-acquired modernism back to Okinawa, translating regionality into spatial form through personal vernacular experience. Fourth, Atelier Zo advocated the 'heuristic method,' rediscovering local communities, engaging residents, and advancing the 'Reverse Disparity Theory', an alternative regionalism routed through Okinawa. By contrasting these approaches, this study reveals that expressions of regionality diverged according to architects' origins, education, networks, and perceptions of Okinawa.

키워드
오키나와일본지역성일본성오키나와다움미군정오키나와 국제해양박람회킨조 노부요시고쿠바 유키후사키쿠타케 키요노리아틀리에 조1970년대 OkinawaJapanRegionalityJapan-nessOkinawannessU.S. Military GovernmentOkinawa Ocean ExpoKinjo NobuyoshiKokuba YukifusaKikutake KiyonoriAtelier Zo1970s
목차
ABSTRACT
1. 서 론
2. 일본과 오키나와 건축의 역사적 배경
    2.1 메타볼리즘과 국제해양박람회: 건축의 실험 무대
    2.2 전통 논의와 오키나와: 1960년대 설계경기 담론의 전환
    2.3 본토 복귀 이후의 변화: 관광업의 확대와 건축계구조 재편
    2.4 역격차론의 등장: 소득격차론 비판과 대안적 지역주의의 전개
3. 국제를 경유한 기술적 이상주의: 키쿠타케 키요노리
    3.1 아쿠아폴리스(1975)
4. 오키나와 내재적 전통 발굴과 도식화: 킨조노부요시
    4.1 나하시민회관(1970)
    4.2 오키나와관(1975)
    4.3 소결
5. 본토를 경유한 모더니즘과 풍토의 접합: 고쿠바유키후사
    5.1 호텔 문비치(1975)
6. 오키나와로 향한 대안적 지역주의: 아틀리에 조
    6.1 나키진손중앙공민관(1975)
    6.2 나고시청사(1981)
    6.3 소결
7. 결 론
참고문헌
저자
  • 최은지(한국예술종합학교 건축과 예술전문사과정) | Choe Eunjee
  • 우동선(한국예술종합학교 건축과 교수) | Woo Don-Son
  • 강영지(한국예술종합학교 건축과 강사, 공학박사) | Kang Youngji (Department of Architecture, Korea National University of Arts.) Corresponding author