In this paper through the study of Hyupgoksogun(｢夾谷笑君｣), which dealt with the incident of the murder of the actor in Je(齊) dynasty when Confucius was in the office during No(魯) dynasty and through the analysis of the speech of the actors in the following ages of Han(漢) and North-south dynasty(南北朝), it could be confirmed that the structure of the conflict between the actors and Confucianism changed from the one-way victory of Confucianism to the gradual strengthening of the actors. In the speeches of the actors of Dang(唐) and Northern Song(北宋) periods the bantering of Confucianism is general, distinct, and different from former times in quantity and content Especially the sharp confrontation of the actors and Confucianism in Northern Song dynasty shows caricature and satire of the contradictions of the society, revealing the discrepancy and pretense deeply. The conflict of the actors and Confucianism from Southern Song period to the Cheong dynasty changed from the performing style of the direct criticism of Confucianism to that of making Confucianism subsidiary subject, emphasizing the spiirit of social participation by revealing the contradictions of the society. The first error of Confucianism is the murder of Usi by Confucius and in the following Song dynasty Juhi also had a misconception about the role of actors deeply rooted in Confucianism, which brought about the protest against Confucianism, the backbone of the ruling class. The birth and growth of the actors' bantering of Confucianism developed into the spirit of social participation of the actors who bravely criticized the illnesses of the society. In this paper it could be confirmed that the actors criticized Confucianism, which couldn't be fused into the real life of people, through performance and achieved the purpose of social indictment.