The present study aimed to understand the norms of the use of plants by Korean ancestors and to further broaden the horizon of the Palgyeong (eight landscapes) culture. This study explored the planting origin and symbolic meaning of Ssanggoi-su by the Gwangju Ahn clan in Sirye-ri, Gimhae to analyze and interpret the subtitle and content of the Chodangpalgyeong poem from a limited viewpoint of Yeomsudang. The results of this study are as follows: On the basis of the brotherhood of two brothers in the Gwangju Ahn clan Gwangju, Sirye-ri Ssanggoi-su was a symbolic tree to express the spirit of Seonbi by planting a pagoda tree called the scholar tree, as well as wishes that their descendants climb the ladder to become the highest government officials. However, Chodangpalgyeong is Palgyeong, which is a similar type of Sosang, composing poems on eight landscapes from the viewpoint of the Sarangchae space of the Yeomsudang garden. Chodangpalgyeong is the only collection of eight different landscape plants as objects of landscape. The Palgyeong poem presents a particular planting position for each of eight different plants, indicating planting patterns as custom. That presentation suggests that the landscape plants in Chodangpalgyeong are a symbolic counterpart that can enhance the careful consideration of the “ancient things” in addition to the pursuit of beauty. Furthermore, the plants that had appeared in “Bihaedangsasippalyoung (Bihaedang 48 Poems)” at the beginning of the Joseon Dynasty further appeared in Chodangpalgyeong in the early 19th century. This observation indicates the norm of the traditional planting pattern as well as the universal cultural phenomenon.

While designation status of state-appointed cultural properties, promotion status of scenic sites, overlap with natural parks, and relationship with both nine river bends and eight views were reviewed, application and promotion status of scenic sites were analyzed by exploring culture and tourism websites of local governments and tourist leaflets on scenic sites. The results of the analysis are as follows. There are totally 109 designated scenic sites in Korea and these are distributed in 59 local governments, which account for 26.1% of local governments. Accordingly, unequal regional distribution was found to be significant. As a result of the exploration of the status of overlapping between scenic site-designated areas and national, provincial, and county parks, altogether 53 designated scenic sites that account for 48.6%, overlapped with natural parks. Thus, there is a great need for role sharing and cooperation with natural park management entities in terms of experience programs within scenic sites and cultural commentaries. Meanwhile, there is a significant difference among the local governments regarding the efforts in highlighting cultural properties as tourist resources while universal awareness and promotion of scenic sites was found to be very low. Marking scenic sites on leaflets were prone to lag behind those on homepages. The analysis on status of scenic sites revealed that festivals and events were being held in 39.4% of scenic sites and those with longer designation- lapsed years were associated with the prevalence of festivals. Moreover, natural scenic sites located in natural parks were unwilling to be used through local government’s awareness and tourism endeavors compared to historical and cultural scenic sites. Additionally, several wrong descriptions were found on the markings of scenic sites and thus, promotion of scenic site culture and operational management requires urgent improvement.