본 논문은, 예이츠의 시, 산문, 자서선, 편지에 흩어진 증거와 여러 엑프 라시스 이론에 근거, 예이츠의 청금석 이 어떻게 중국고전시와 풍경화, 특히 도교에 서 보이는 중국전통미학을 반영하는 지 논의한다. 예이츠는 이질적인 중국문화와 대화 하는 매체로서 중국고전시와 풍경화를 사용하는데, 이로써 서양의 딜레마에서 벗어나 는 길을 모색하고자 한다.

The essence of Chinese landscape architecture is realization of a space that embraces nature and human integrating the openness and encloseness. The concept of landscape architecture that artificially furnishes natural elegance into urban areas coincides with the spiritual basis of Chinese literati-painting which subjectifies the scenery of objective world and entrusts personal feelings on that. In other words, the ultimate ideal of Chinese landscape architecture is embodying the Utopia of confucian intellectual in a city. This paper has tried to shed a light on inter-relationship of literati-painting theory and Chinese landscape architecture theory through comparing them. It is the identical spiritual basis they shared harmoniously that made landscape architecture, poetry and painting possible to meet.