The cross-boundary integration of media art and digital technology makes the innovative space of product design continuously expanded. The development of computer and Internet technology promotes the development of digital media art. Digital media art mainly relies on computer and network platform for creation, breaking the limitation of time and space. At the same time, the application of new materials and new technologies has brought about great changes in creation, which has also put forward new requirements for modern product design. Digital media art is spreading a more humanized design concept, changing the lifestyle of all classes and blurring the boundaries of traditional design. Digital media art can be said to have changed people's cognition of design. No matter from design scheme conception to software rendering, or to the final virtual dynamic display, it has proved that digital media art has penetrated into every link of product design. Design has shifted from a single static dimension to a multi-dimensional interactive dimension, and product design has been reborn due to the development of new media art, thus promoting social innovation and social change. This paper expounds the related concepts of digital media art and product design, analyzes the innovative application of digital media art in product design in detail, and looks forward to the development prospect of product design in the future.

Purpose - This study investigated the relationship among cultural disposition (Chemyeon, Noonchi, Woozzul), media use, and attitude toward luxury goods consumption. Research design, data, and methodology - We analyzed online survey data for 300 Korean Women between 20 and 39 years of age who lived in Seoul, capital of South Korea. We used multiple regression analysis to examine the relative influence of cultural orientation on cognition of luxury goods, Sobel test. to determine mediating effect, and a two-way analysis of variance in IBM SPSS 23.0. Results - The finding suggests that cultural disposition (Chemyeon, Noonchi, conspicuous Woozzul) correlated significantly with perceived self-identity, attitude toward luxury goods. The effects of Chemyeon, Noonchi, and selfish Woozzul on the attitude toward luxury goods was fully mediated by perceived self-identity. However, association between conspicuous Woozzul and attitude toward luxury goods was partially mediated by perceived self-identity. Regarding media effects, the results indicate that there were interaction effects between selfish Woozzul and amount of time spent on TV on attitude toward luxury goods, as well as between selfish Woozzul and amount of time spent on Internet. Conclusions - These findings suggest that luxury goods consumption of Korean young women is consumer behavior that reflects individual cultural disposition and media use.

광고디자인은 광고가 삽입될 매체 없이는 존재할 수 없다. 하지만 종이가 발명되고 신문이 막 등장했을 당시에는 매체의 특성상 검정색으로 문구만 인쇄가 가능했기 때문에 그 안에서 ‘디자인’이 할 수 있는 역할은 매우 적었다. 그렇지만 컬러인 쇄술, 무선통신, 영상전송과 같은 관련 기술들이 개발되면서 신문, 잡지, 라디오, 텔레비전 등 4대 매체가 차례로 발명되고 오늘날 인터넷, 스마트기기 등 뉴미디어가 등장하면서 광고에도 다양한 조형적 표현이 가능해졌다. 즉, 매체의 진화가 광고 디자인의 영역을 확장시킨 것이다. 특히 20세기후반부터 등장한 뉴미디어는 큰 영향력을 행사하며 기존 4대 매체 위주의 광고계에 커다란 변화를 가져왔으며 이러한 다매체 정보의 홍수 속에서 소비자의 광고와 매체를 대하는 태도 역시 변화된 모습을 보이고 있다. 본 연구는 이와 같은 광고매체와 디자인의 대변혁 시대에 능동적으로 대처하기 위한 기초자료로서 국 내외 관련 자료를 토대로 매체의 진화에 따라 확장되어온 광고디자인의 표현 영역을 인쇄매체, 전자매체, 그리고 뉴미디어 시대의 기술 발전 흐름에 따라 고찰하였다. 그 결과 크게 세 가지 측면으로 정리할 수 있었다. 첫째, 디자인의 표현 영역은 해당 매체 기술의 한계 안에서 이루어졌다. 둘째, 매체의 발전에 따라 디자인적 표현 영역이 확대되면서 새로운 품목의 광 고가 가능해졌다. 마지막으로, 광고매체가 다변화되고 기술이 발전할수록 디자이너의 전문성이 증대되고 중요도가 증가되 는 모습을 보였다.