This study analyzes the fifth edition of the enhanced spelling of the Indonesian language (EYD V) by comparing it with the original Indonesian spelling system (EBI) in terms of the use of character and punctuation. Specifically, it presumes that the frequent occurrence of errors in the Indonesian spelling systems is related to both indifference in Indonesian orthography and recurrent orthographic revisions. Based on this premise, it investigates differences between the original EBI, officially announced in 2015, and EYD V, the latest Indonesian spelling system, in terms of the use of character and punctuation. The analytic results found that EYD V includes several new elements, such as the introduction of a monophthong eu and the use of consonants q, x, and y at the end of words. Furthermore, it was found that EYD V provides the revised and supplemented contents compared to the original EBI from multiple perspectives by implementing enhanced consistency and timeliness in descriptions and error correction. The outcomes of this study are expected to serve as essential data for Indonesian writing education and as comparative data for discussions on Malay orthography in relation to Indonesian orthography.

본고는 코퍼스를 활용한 중국어 시각 동사 ‘看’의 원형 의미 연구 방법과 사용범위 에 대해 연구하고자 한다. ‘爱汉语’ 코퍼스에서 내려받은 시각 동사 ‘看’의 코퍼스 처 리 작업을 위한 분석 도구로써 EmEditor를 사용하며, 코퍼스 분석 프로그램인 AntC onc를 사용하여 시각 동사 ‘看’의 원형 의미에 대한 사용범위를 살펴보고자 한다. 또 한 워드 클라우드를 활용하여 시각 동사 ‘看’의 결합 관계를 분석하며, 시각 동사 ‘看’ 의 사용범위 또한 도식화하여 고찰하고자 한다.

This study aims to reinterpret Jeonggwanheon(靜觀軒) in terms of its use and architectural style after restoration work through the recently discovered [Deoksugung Palace's original plan](1915). It is presupposed that the existing interpretation of Jeonggwanheon, such as its status as the banquet hall of the Imperial Empire and the place where Emperor Gojong enjoyed coffee here, was a fantasy made from the transformation after the 1930s. When it was built around 1900, Jeonggwanheon arranged small and large rooms around the corridor in the center, and the porch surrounded the three sides of the building. From 1900 to 1907, there is no remaining record telling us who did what or when something happened in Jeonggwanheon except for several portraits of Emperor Gojong and his son which were drawn in 1902. The mixed use of brickwork and wooden porch are found in many of American style houses built in Incheon and Seoul at that time. Especially, the style and decoration of wooden porch seem to be influenced by Queen Anne style in the 19th century in America.