The purpose of this study is to analyze the characters and images of Picasso's muses, to extract the color chip from the works of Picasso, and to apply these results to fashion design. The study includes a literature review, an analysis of visual materials. The results are as follows. Fernande, who was cheerful and voluptuous, was depicted with pink-brown, a few browns, grey, black, white, and green and represents an ethnic and elegant image. Eva, a star-crossed lover, was depicted with a few browns, black, and pale-yellow and represents a gorgeous and natural image. Olga, who was jealous and sickly wife, was depicted with a few blues, browns and neutral-color and represents a classic and dandy image. Thérèse, who was innocent and sweet, was depicted with the bright and pastel colors of red, green, violet, and yellow and of white, blue, brown, and black and represents a romantic, pretty, and casual image. Dora, who was intellectually and emotionally- challenging, was depicted with the strong colors of red, yellow, green, and blue, which are in contrast to black and also to white, grey and brown and represents a wild and dynamic image. Gilot, who was strong-willed and prideful, was depicted with the symbolic color of green, a color contrasting with black and white, grey, and pale brown and represents a clear, cool casual and modern image. Jacqueline, the self-giving and reclusive wife, was depicted with deep red, blue, green, black, white, dark brown, grey represents a formal, dandy, and chic image.

I. Introduction
 II. Background
  1. The evaluation of Picasso and his works
  2. The women of Picasso and the work period
 III. The Muse of Picasso and theAnalysis of Picasso's Works
  1. Fernande Olivier and the works of Picasso
  2. Eva Gouel and the works of Picasso
  3. Olga Kokhlova and the works of Picasso
  4. Marie-Therese Walter and the works of Picasso
  5. Dora Maar and the works of Picasso
  6. Françoise Gilot and the works of Picasso
  7. Jacqueline Roque and the works of Picasso
 IV. Muses of Picasso and FashionDesign Development
  1. Women's character and the perspective ofPicasso
  2. The analysis of color and shape for extractingdesign images
  3. Application of color and image for fashiondesign
 V. Conclusion
 References

• 이금희(서울여자대학교 의류학과) | Keum Hee Lee Corresponding author