改革开放以来中国社会的现代化进程,极大地解放、释放了生产力,开 放、开阔了思想和文化视野,在“中国特色”、“全球史观”、“人类命运共同 体”等理念指导下的全球经济社会文化交往中,中国社会逐渐从匮乏时代 迈向富足小康时代。与此同时,当代中国也典型地表现出“物”、“新”、 “美”、“乐”等具有“乌托邦”色彩的诸多消费主义审美文化“面孔”。对于 “物 托邦”、“新托邦”、“美托邦”、“乐托邦”的追逐与想象在资本、技术、市场、媒 体、广告等操控机制下又不断地转化为消费主义时代具有迷惑性的新意 识形态,使乌托邦失去了理想情怀、革命精神和批判本性,成为反乌托邦 的力量。理解当前中国经济、政治、社会发展转型期的种种审美文化现 象,对于我们创造性转化中华优秀传统文化思想,吸收外来文明理念,面 向未来,不断地批判、超越、更新、重建新的社会审美文化具有重要意义。

Since the reform and opening up, the modernization of Chinese society has greatly liberated and released the productive forces, and broadened the ideological and cultural horizons. Under the guidance of the concepts of "Chinese characteristics", " view of global history" and " the awareness of a community of shared future for mankind ", Chinese society has gradually entered a prosperous and well-off era from the era of scarcity. with c
At the same time, contemporary China also typically shows many "faces" of consumerist aesthetic cultureharacteristic of utopia , such as "Wu", "Xin", "Mei" and "Le". The pursuit and imagination of "Wu-topia", "Xin-topia", "Mei-topia" and "Le-topia" are constantly transformed into confusing ideology in the era of Consumerism under the mechanism of capital, technology, market, media and advertisement which makes Utopia lose its ideal feelings, revolutionary spirit and critical nature. As a result,utopia is becoming dystopia. Heading for the future,it would be significant for us to understand deeply the aesthetic cultural phenomena in the development-transition period of China ,transform creatively the excellent traditional Chinese cultural thoughts, absorb foreign civilization ideas, and reconstruct the new social aesthetic culture finally.

摘要
Ⅰ. 序言
Ⅱ. “物”托邦与唯“物”主义批判
Ⅲ. “新”托邦与唯“新”主义批判
Ⅳ. “美”托邦与唯“美”主义批判
Ⅴ. “乐”托邦与唯“乐”主义批判
Ⅵ. 结论
 参考文献
 Abstract

• 梁玉水(吉林大学文学院) | Liang YushuI (JIlIn university)