This study covered the Mulmae, architectural drawing recorded on Yeonggeon-uigwes and Sanleung-uigwes during the late Joseon Dynasty. In uigwes, the term ‘Mulmae’ was used as a mixture until the 17th century, but from the 18th century, the term ‘Mulmae(勿乙每, 勿每, 水每)’ was unified into ‘Mulmae(水每)’. The paper of the Mulmae was made to be used during the construction period by using a thick oil paper called Yudun. Four Yudun were connected, and its size was 197.4×141cm, which was rather large. The Yingzaofashi(營造法式) of Song Dynasty describes how to draw a longitudinal section on a scale of 1/10. The scale of 1/10 was the maximum when comparing the size of the Mulmae with the buildings in uigwes. A sectional drawing of Gongpo in Geunjeongjeon was drawn on a scale of 1/10. There is a testimony that a senior carpenter drew a cross-section on a scale of 1/10. Therefore, it was determined that the scale of the longitudinal section drawn on the Mulmae paper was 1/10. The term 'the Mulmae' was used equally by carpenter active in Japanese colonial era. The scope of the painting was clarified from pillar to rafter. Uigwes records that the Mulmae was made for wood processing. Through this, it can be understood that the Mulmae painted the entire structure as a longitudinal section.

Abstract
1. 서 론
2. 의궤 속 물매와 물매지
    2-1 물매 용례
    2-2 용도에 따른 건축도 종이류
    2-3 물매지 종류와 규격
3. 중국의 전통건축 단면도
4. 물매의 단면도로서 가능성
    4-1 물매의 축척
    4-2 물매의 용도와 작도 범위
5. 결론
참고문헌

• 이상명(국립문화재연구소 건축문화재연구실) | Lee Sang-Myeong Corresponding Author