극단문화는 전통사회의 중요한 문화매체이다. 극단은 일정한 세속적 사회관계 네트워크 속에서 존재하며, 사람들의 ‘관습’ 의 영향을 받아 일정한 안정성을 가지고 있다. 극장이 의존하 는 ‘필드(field)’는 더 복잡한 요소도 망라한다. 이에 따라 ‘필드 (field)’에 따라 극장의 형태도 달라진다. 슈산 진하극단 발전 역사가 백 년을 넘고, 여기에서는 슈산 진하극단의 ‘필드(field)’ 문화에 대한 연구를 통해 극단의 문화 발전의 일반적인 규율을 탐구하는 것이다.

This study aims to explore the universal rule of Chenhe opera troupes’ cultural development after a century of vicissitudes by classifying their field culture. Theoretical research and field study are mainly combined and applied in the study of Chenhe opera troupes. Through the investigation, the study shows that the existence of theatrical troupes is built in a well-connected network of the secular society and endowed with a certain stability, limited by the “habitus” of people. With the relationships and soil of such a field culture, there runs a bloodline identical to the traditional thoughts of habitus like the birth, development and death of traditional culture has its inherent law. Based on the analysis of three types of field culture, we find that habitus has constantly influenced and contained the development of field culture. We are expecting to provide a certain direction for researchers exploring traditional cultures in other domains.

I. Background of history, geography, and culture
II. Tracks of development and tunes of Chenhe opera
III. Types of theatrical troupes in the field culture
IV. Impacts of habitus
V. Conclusion

• Xu Guoling(Instructor, School of Music, Chongqing University of Arts and Sciences))