The core idea of the critical regionalism could be summarized as a self-conscious synthesis between universal civilization and world culture. After World War Ⅱ, it has been applied to architecture for overcoming the problem of Industrial Capitalism and uniformity of 20th century Modern Architecture. Naturally, religious architecture cannot also be an exception in this cultural trend, thus we can also apply the critical regionalism to the Korean Catholic Church Architecture with the basic premise that the Traditional Western and Modern Style Church Architecture should be regarded as universal civilization, and the Traditional Korean Architecture and endemicity as one of world culture. In the context, this article attempts to analyze the regionality of Korean Modern Catholic Church Architecture constructed between the 19th century and 1980's, and how it has been differently transformed with the view of the critical regionalism. Its analysis will be carried out within three types; transformation of the Traditional Korean Architecture and the influence of Japanese Modern Architecture, representation of the Traditional Korean Architecture, and abstraction of the Traditional Korean Architecture with each advantages and disadvantages.

1. 서론
    1-1. 연구의 배경 및 목적
    1-2. 연구의 범위와 방법
2. 비평적 지역주의와 성당건축
3. 비평적 지역주의로 본 한국성당건축의 지역성표현
    3-1. 한국 전통건축의 변용(變容)과외부성(外部性)의 영향
    3-2. 한국 전통건축의 재현
    3-3. 한국 전통건축의 추상화
4. 결론
참고문헌
Abstract

• 권태일(동의대학교 건축공학과 조교수) | Kweon, Tae-Ill (Prof., Dong-Eui University) Corresponding author