There is still a controversy in the academic community as to whether the author of “JouPuTuan” (《肉蒲團》) is Li Yu, the majority of scholars believe that its author is Li Yu, but some other scholars don’t agree, they think it’s author can not be Li Yu. This article firstly sorted out and summarized different representative views, and then compared the major surviving editions of “JouPuTuan”, pointed out that the “The wooden movable type edition” (木活字本) was not the earliest surviving edition of “JouPuTuan”, so the view that the author of “JouPuTuan” is not Li Yu is not valid. Finally. On the basis of the previous studies, this article has a further argued from the perspective of “Li Yu’s special words” (李漁特征詞) to prove that “JouPuTuan” is definitely the work of Li Yu.

This research is one of the stage results of “Research on the Relevance between China’s Primary School Chinese Teaching Materials and the Development of Students”, a key project of Ministry of Education in 2009, included in the National Education Science "Eleventh Five-Year Plan"( Project approval No. DHA090170). The research mainly includes data statistics and analysis of a literacy diagnostic test survey for primary school entrance students so that it provides a scientific basis for future research on the relevance between the development of students and different editions of curriculum teaching materials of Chinese literacy, such as editions from People's Education Press, Jiangsu Education Press, Beijing Normal University Press, Southwest Normal University Press, Jingshan Press, and for exploring different versions of words, quantities, orders, and ways of verifying the new idea of literacy education “Harmony and Order” that best fit the development of students in different regions.

"Words and Characters for Chinese Ability Outline" is the main basis of teaching design, teaching materials, achievement tests for the field of teaching Chinese as a Foreign Language.The development of the Character Table is based primarily on the existing State Standardization of Chinese Characters, and according to need some adjustment, especially those characters from the Word Table is for the targeted adjustment. This article inspects the situation of the character classification for the Character Table of the "outline", a comparative study have been made with the existing State Standardization of Chinese Characters, such as "Modern Chinese characters commonly used in the table," "Modern popular characters used alone standards," and the frequency statistics result of existing Chinese books for primary schools, and inspects the collection for the Character Table of the "Outline" from both of meeting standards and language learning rules. The article suggested on the main principle of choosing character and classifying the level in the table.

The present paper is intended to analyse the body-narratives in the contemporary Chinese literature under the viewpoint of subjectivist-body-esthetics. The basic ideas of subjectivist-body-esthetics are: man is body, body is subject, aesthetic activities is the praxis of the body-subject. From the viewpoint of subjectivist-body-esthetics, the main weakness of body narratives in the contemporary Chinese literature is that it merely presents the objectivity of body. In 1949-1976's, the grand revolutionary narratives defines the body as the tools which must servers for the ultimate goal of communism project. After 1976, the reforming and opening-up policy makes a Comparatively free atmosphere in which writers are allowed to show the beauty and desires of body. Some writers, such as Chang Xian Kiang, began to regard the body as the self-decisive subject. But the body narratives after 1990's does not develop this clues. From 1990's, Chinese body narratives differentiates itself into two trends: (1)highlights the spiritual subjectivity, insists that the body is only the impermanent house of the soul-subject; (2)reduces the body to the corporal being without head, displays the desire of the body unilaterally. Both of them deny the subjectivity of body and does't reveal the status ,meaning, dignity of body-subject. So, the authentic subjectivist-body- narratives is still unborn in China.