Comprehending the prevailing ideals of the body within a specific era requires grasping the intricate interplay between social phenomena and the evolution of clothing. Accordingly, this study investigates the distinctive facets of the perception of the Neo-Confucian body as reflected in men’s dress during the Joseon Dynasty. We examine a comprehensive body of scholarship, literature, and historical records concerning the body and dress. Additionally, we also employ a framework developed by M. Y. Kim, which categorizes the Neo-Confucian body in three ways: as the natural body, the cultural body, and the body as a fully-realized moral subject. Our findings unveil three crucial insights: firstly, guided by Neo-Confucian discourse positing appearance as a manifestation of innate energy (氣), men’s dress was deliberately designed to demarcate stylistic distinctions in women’s dress; secondly, the Chinese gwan (冠) was employed as a tool of self-cultivation (修身) to symbolize the legitimacy of Joseon’s Neo-Confucian governance; and thirdly, sim-ui (深衣), a philosophical emblem of Confucianism extensively represented across through an intensified exploration of historical sources, served as a means to consolidate the political standing of the Neo-Confucian faction. As a consequence of these factors, the attire of noble men conferred upon them both sexual and moral ascendancy as political entities; men’s dress became a visual manifestation of the legitimacy of their power, thus embodying Neo-Confucian ideals. This study carries significance by applying a discourse analysis approach to Korean dress research and elucidating the factors underlying the development of men’s dress during the Joseon Dynasty.

본 연구에서는 외국인 유학생을 위한 교양교육과정을 제안하 려는 목적으로 교양교육표준모형, 국내외의 AI 교양교육과정 개발 사 례를 고찰하였다. 또한 AI 교양교육과정의 교수법을 내용중심 접근방 법 중 보호된 내용수업 방법으로 운영하고자 관련된 이론을 살피고 이를 교육과정 개발에 적용해 보았다. 이를 위해서 교사는 제2언어 학 습자들이 이해할 수 있는 방법으로 내용을 제시하고, 적절한 수준의 난이도로 언어를 사용해야 한다는 점을 고려하여 교육과정을 구성하 였다. 또한 H대학에서 AI 교양교육을 받은 학생들을 대상으로 시행한 설문조사를 결과를 반영하여 다음의 세 가지 교육과정 개발 원칙을 수립하였다. 첫째, 학생들에게 한국어로 컴퓨터를 활용할 수 있는 능 력을 배양하도록 기회를 준다. 둘째, 인공지능 교육의 바탕이 되는 컴퓨팅적 사고력을 함께 배양하기 위하여 기초적인 코딩을 진행한다. 셋 째, 인공지능에 대한 개념을 이해하기 위해 개념 학습과 실습 수업을 병행한다. 이를 바탕으로 인공지능 교양 교육과정을 AI 기초와 데이터 분석 두 과목으로 구성하고 교육 내용은 인공지능 개념 학습, 한글로 작동하는 소프트웨어 학습, 인공지능을 적용한 실습, 응용학습의 4단 계를 1학년 1학기와 2학기에 걸쳐 학습하도록 하였다.

The aim of this study is to investigate morphological characteristics of Hanbok images in children’s books and propose a direction for the modernization and globalization of traditional culture. This study examines 43 children’s books by contemporary foreign illustrators that contain Hanbok illustrations and analyzes them from postcolonial perspective. The results include the following three attributes: first, the transformation of clothing structure and donning method that confuse fundamentals of Korean costume; second, the Westernization of silhouette drawing with tailored garments analogous to Western dress; and third, extension to East Asian dress that represents Hanbok mixed with Chinese or Japanese costume and use what is considered to be the East Asian patterns instead of Korean traditional ones. These attributes are based on Eurocentrism, which expresses and interprets the East from the Western view point with continuously distorted image of the East. Korean illustrators also painted Hanbok incorrectly, which could influence foreign illustrators. Nevertheless, traditional dress illustrated in various ways has artistic value and has a popular global impression. Further, it enables children to experience either own or other cultures through dress illustrations. Thus, the outsider requires an in-depth understanding of other cultures, while the insider needs a critical perception of their own culture as described by others while revisiting the original resources. Furthermore, we suggest follow-up research on Hanbok for subsequent generations; publishing translated books on various topics, producing and disseminating a primer for diverse readers, and essentially receiving counsel from experts.