This study proposes strategies for projecting media art onto glass-surfaced architecture, addressing challenges such as transparency, reflection, and visibility. Using the Aqua Art Overpass in Seoul as a case study, the research compares glass and opaque surfaces through mock-ups and luminance simulations. By applying high-lumen projectors, special films, and content adjustments, the study demonstrates that glass facades can effectively serve as dynamic media surfaces. The findings highlight the visual and spatial potential of glass in urban environments, offering practical insights for future applications in architectural media art.

This study explores the concept of screen-performance as a sensory and performative interface in interactive media content. Moving beyond the traditional notion of the screen as a passive display, it examines how screens can function as spatial, real-time systems that engage users’ bodies and perceptions. Based on theoretical research on screen media and performativity, the paper analyzes two original media artworks—Light, Movement of Boundaries and Boundaries: Coexistence—as case studies. These works demonstrate how screen-based installations can incorporate sensor feedback, adaptive visuals, and embodied participation. The findings suggest that screen-performance offers a meaningful framework for designing immersive user experiences in media art, interactive installations, and game environments.