This paper studied the Pingzuo(平坐) platform structure of the two story building covered with one roof during the early period of Tang dynasty, based on wall paintings, stone pagodas, brick buildings and wooden buildings might be influenced by the Tang style. Instead of Chazhuzao(叉柱造), the typical column linkage in the Song, Liao and Jin buildings, it put the boundary column just behind the wall of a bracket set. Otherwise, the column root might be seen from outside, because its bracket set was still using Touxinzao(偸心造) which did not have a lateral arm on it. And its flooring structure was also different from the Song style, it used cantilever beams instead of lateral beams supported by bracket sets.

This study investigates how the spatial recognition structure is emerging through the case of rectangular plan combined with a combination of Dang-Sil(堂室) and Gong(工) shape roof, and identifies a type of architecture in the early Joseon Dynasty that has never been revealed. The conclusion of this study is as follows. First, the Dang and the Sil are connected to each other, but the architectural elements such as pillars, frame, and windows are distinguished and appear as separate buildings. Second, the distinction between Dang and Sil is evident by the difference in the number of ridges and the shape of the roof. In addition, the roof and roof framework of the independent rooms and the rooms were common in the right angled architecture where the direction and the expandability of each structure were maintained. Third, the construction of the Dang-Sil combined structure, in which two or more structure frameworks were combined with the rectangular combined flat roof structure, gradually changed into a single structure with a single ridge. Fourth, this change means that people of the early Joseon Dynasty recognized the Dang and Sil as separate architecture, but the strict sense of spatial separation has disappeared over time.

Chinese classical literature had a strong influence on Akutagawa Ryunosuke's works. Akutagawa Ryunosuke showed a portrait of intellectual to look for hope among in a desperate situation through his work 「TuTze-chun」. I tried to compare with Tang Dynasty Novel 「DuZi-chun zhuan」and Akutagawa's 「TuTze-chun」to find the meaning of the differences. First, the seasonal background, 'Winter' and 'Spring' is very important to define Du Zichun's character that is angry about the outside world or Society and only focuses his attention on the inner or individual, then we can find a wandering and weak modern intellectual. Second, the third meeting with the old man is also significant. Because each DuZi-chun has a different choice at the third meeting, so we can reconfirm a social-oriented and self-centered character through the third meeting. After the third meeting with the old man, Tang Dynasty Novel's DuZi-chun succeeded in constructing an ideal society, then went to the old man to return his favor. But Akutagawa's decided to enter a Mountain to seek the truth. The last, Tang Dynasty Novel's DuZi-chun was failed to practice, because of mother 's love for her child, Akutagawa's gave up his purpose due to son's love for his mother. And then Tang's old man got disappointed with DuZi-chun's failure, but Akutagawa's old man was delighted to DuZi-chun's abandonment. Each DuZi-chun's reaction is entirely different with their failure; Tang's DuZi-chun was sorry and penitent for his failure, if anything Akutagawa's was just relieved to cry out when he hugged his mother.