본 연구는 불탑 중 백제 말기 건립된 익산 미륵사지 석탑과 조선 중기 보은 법주사팔상 전과의 계통사적 구조체계의 상관성을 고찰한 것으로 다음과 같은 결론을 도출하였다. 첫째, 익산 미륵사지 구층석탑은 내부에 심초석(心礎石)이 설치된 것으로 보아 심주와 사천주가 코어구조체계(core structure system)인 누각형 탑파로 상층기둥의 위치에 따른 체감율이 큰 것으로 보아 퇴칸은 칸물림방식의 전각형이 채택된 절충형식이라는 추정이 가능하다. 둘째, 보은 법주사 팔상전은 목탑의 기본적인 구성요소인 옥심주와 사천주가 코어 구조 체계로 채용되고, 주변 협칸과 퇴칸은 전각형 칸물림방식의 중층구조기법을 부차적으로 채택하여 익산 미륵사지 석탑과 같은 계통의 체감율이 큰 특징의 절충형 목탑이라고 할 수 있다. 셋째, 백제시대 불탑구조는 누각형(평좌층식, 포구조식)과 누각형에 전각형을 채택한 절충형으로 대별된다. 불탑은 필요에 따라 탑신의 높낮이를 비례적으로 조절하여 완성미를 높였으며, 처마길이를 충분히 확보함으로써 건축물의 볼륨감(massing)이 풍부한 기능성이 강한 건축물을 축조하였다. 넷째, 백제시대에 창안된 새로운 불탑형식으로서의 절충양식은 백제 말기에 시원하여 문화통치기인 통일신라시대와 지방문화를 정책적으로 장려한 고려시대를 거쳐 조선 중기 보은 법주사 팔상전으로 끊임없이 이어져 계승된 백제 고유의 불탑양식이라고 할 수 있다.

본 연구는 속리산국립공원 법주사 주변 소나무림을 대상으로 식생구조를 규명하고 17년간의 식생구조 변화를 비교 분석하여 소나무림의 보전관리방안 수립을 목적으로 하였다. 조사대상지는 속리산국립공원 법주사지구 내 속리산관리사무소~법주사지구의 3.6km2이다. 현존식생 조사결과 전체면적 360ha중 소나무 우점림은 64.7%이었고 소나무-낙엽활엽수 혼효림이 3.2%로 주로 계곡 사면과 능선에 걸쳐 소나무림이 분포하고 있었고 계곡 토지이용지 주변은 소나무와 낙엽활엽수가 혼효된 지역이 산재하였다. 조사구별 평균 상대우점치에 의한 우점종의 구성으로 식생유형을 분류한 결과 천이잠재성이 낮은 소나무군집, 천이잠재성이 높은 소나무군집, 천이진행중인 소나무군집, 도태중인 소나무군집으로 구분할 수 있었다. 17년간 식생구조 변화 분석결과 소나무군집의 천이경향은 천이잠재성이 낮은 소나무군집(소나무 순림)→천이 잠재성이 높은 소나무군집(아교목층에 낙엽활엽수가 우점하는 소나무림)→천이진행 중인 소나무군집(소나무-산벚나무군집, 소나무-졸참나무군집)→도태중인 소나무군집(졸참나무-소나무군집, 갈참나무-소나무군집)→낙엽활엽수혼효군집으로 발달하는 것으로 파악되었다. 소나무림 식생관리 방안으로 천이잠재성이 높은 소나무군집은 아교목층 낙엽활엽수를 제거하는 적극적인 관리가 필요하며 천이진행중인 소나무군집은 교목층 낙엽활엽수 가치치기 정도의 소극적인 관리가 필요하였다. 도태되는 소나무군집은 소나무림이 유지되기 어려우므로 낙엽활엽수림으로 자연적인 천이가 될 수 있도록 유지하는 방안을 제시하였다.

This study is to find out the characteristics of the changes of the site layout in Beopjusa which was built on Maitreya faith in the Shilla.. According to the analysis of it in this study, we make conclusions as follows; 1) The reconstruction of Beopjusa means a start in Dhamalsama(法相宗) and then it was supposed to be Buddhist temple which was formed by intersecting axis of centering around a wooden pagoda(捌相殿) with a main Buddhist hall and a lecture hall. 2) After the middle of Koryo dynasty, Beopjusa was changed to building layout of intersecting with Yongwabojeon(龍華寶殿) and Daeungbojeon(大雄寶殿) because of harmony with Avatamsaka(華嚴宗) and Dhamalsama centering around Avatamsaka. 3) The buildings of Zen Buddhism was built in the early Chosun dynasty owing to a prevalence of Zen Buddhism in the late Koryo dynasty. And since 17th century, Buddhist halls were each built in their a faith system according to interpenetrated Buddhism(通佛敎). 4) The courtyard type of mountainous district was made on interpenetrated Buddhism. On the other hand, the site layout of Beopjusa is being maintained by centripetal spatial organization through the wooden pagoda as object.

Temple with Multi-Buddha's Pavilions is a temple consisting of more than 2 Buddha's Pavilions. Individual Buddha's Pavilions tend to form distinguished area, or to keep independent axis from other Buddha's Pavilions. This study is to understand the philosophy of layout of individual Buddha's Pavilions located in the Temple with Multi-Buddha's Pavilions. To investigate a relationship to layout of individual Buddha's Pavilions on the basis of Buddhism doctrine makes us to understand philosophies about temple layout which temple constructors had. Bulkooksa, a temple having several pavilions placed in parallel, integrates diverse philosophies such as Vairocana Buddha-Ksetra from Vairocana Buddha's Pavilion, Sakyamuni Buddha-Ksetra from both Sakyamuni Buddha's Pavilion and two stupa, and Amitayus Buddha-Ksetra (Sukhavati) from Amitayus Buddha-Ksetra Pavilion. Sakyamuni Buddha's Pavilion and Amitayus Buddha's Pavilion are placed east to west in parallel, and Vairocana Buddha's Pavilion is placed behind them. Beobjusa, a temple having several pavilions placed cross axis, combines three axes such as the first, main axis linking Kumkang Gate - Chunwang Gate - Palsang Pavilion - Amitayus Buddha's Pavilion - Sakyamuni Buddha's Pavilion, the second axis linking Palsang Pavilion -Maitreya Pavilion, and the third axis linking Amitayus Buddha's Pavilion - Avalokiteshvara Pavilion. Relationship among each Buddha's land is clearly expressed by means of this cross axis layout of Buddha's Pavilions, reflecting a philosophy of rebirth in Nirvana that Wonhyo and Eusang propagated. Buseoksa, a temple having several pavilions placed the before and the behind, combines three Buddha's lands such as Maitreya Buddha-Ksetra, Amitayus Buddha-Ksetra and Vairocana Buddha-Ksetra, by means of arrangement of Maitreya Pavilion, Anyang Pavilion and Amitayus Buddha's Pavilion at bended axis, and east facing Amitayus Buddha. By investigating the philosophy of Temple layout with Multi-Buddha's Pavilions in this study, Buddha's Land conception, for people, that ancient Korean temples have, is understood.

The central aim of this thesis is to see if the structure of Palsangjeon(捌相殿) in Pubjoo Temple(法住寺), a five sto wooden pagoda in Chosen(朝鮮) Dynasty, was handed down from the ancient and middle ages. This study was performed through an analysis of Gilt-Bronze Pagoda built in Koryo(高麗) period. In other words, it is aimed at analyzing which lineage the structure of Palsangjeonbelongs to as a wooden pagoda. In analyzing the structure of Palsangjeon, I attempted to find out its source from the remains of Koryo period prior to the Chosen Dynasty. Examples are the Gilt-Bronze Pagoda, built during the Koryo period. I have also examined its relationship with other existing wooden pagodas and remains. The analysis of Palsangjeon, a five story wooden pagoda in Chosen Dynasty, focuses on the following: First, I explored the possibilities of whether the structure of Palsangjeon was newly invented in Chosen Dynasty, or if it had been derived from the wooden pagodas in the Koryo period. Secondly, I tried to find out if the stable vertical planes, with a great successive diminution ratio, were derived from the middle age, i.e. Koryo period. The results of the study of Palsangjeon through Gilt-Bronze Pagoda analysis are as follows: 1. The structure of Gilt-Bronze Pagoda, a wooden pagoda from the Koryo period, is roughly classified into the accumulation type, using pipe pillars, and the one story type using whole pillars. In the accumulation type, stories are connected in either a flat format or an intervening format. The Gilt-Bronze Pagoda is mainly composed of pipe pillars, with some whole pillars. However, the central pillar was omitted in the building structure. Generally, the upper and lower stories are connected by pipe pillars in a crutch format. All the pillars, whether they are pipe pillars or whole pillars, used Naiten(內轉) technology. The Eave supporter has the Haang type(下昻) and the Muhaang type(無下昻). In most cases, high balustrades are furnished, but few tables of high balustrades have been found. The slanting roof formats have been handed down from Paekche(百濟), Silla(新羅), or Koryo(高麗). However, the structure of the octagon is assumed to be derived from Koguryo(高句麗). The structure of the Gilt-Bronze Pagoda from the Koryo period is mainly composed of accumulated flat squares, with some spire types. intervening format, the structure of Palsangjeon used whole pillars in a half story format in which upper level side pillars are installed on the lower level tie beam. From the Bronze Pagoda from the Koryo period, we can assume that the half story format of wooden pagodas that has stable vertical planes with a great successive diminution ratio was created during the mid-Koryo period at the latest and had been idly developed by the time of the Chosen Dynasty. 3. The whole pillars in Palsangjeon are also found in Gilt-Bronze Pagodas from the Koryo period. Hence, all of the pillars in Palsangjeon seem to have been handed down from the ancient construction technology. They were also used in the construction of wooden pagodas from the Koryo period. Therefore, it is assumed that Palsangjeon was constructed using the construction technology of the Chosen Dynasty that had been developed from the wooden pagoda construction technology of the Koryo period. The stable vertical planes with a great successive diminution ratio in Palsangjeon are derived from ancient Korean wooden pagodas, which have developed into indigenous Korean wooden pagodas with fairly stable vertical planes and a great design, in the half story format of Koryo and Chosen Dynasty. Therefore, it is assumed that the structure of Palsangjeon has a systematic relationship with traditional Korean wooden pagodas and is one of the indigenous Korean wooden pagoda structures. 4. In China, the intervening format has been mainly used between stories in multi-story architecture since the ancient days. At the same time, the flat format as also used in ancient and middle ages. However, the flat format was replaced by whole pillars during the Ming(明) and Manchu(淸) Dynasties, in favor of simple and compact construction. The half-story format, in which upper level side pillars are installed on tie beams, has been found in some cases, but it doesn't seem to have been the primary construction technology. Few traces of the half-story format have been found in multi-story architecture in Japan, and it has not been used as a general construction format. By contrast, the half-story format, which seems to have been derived from the Koryo period, was used as a general construction format in multi-story architecture of the Chosen Dynasty. The construction technology of multi-story architecture is related to that of multi-story wooden pagodas, but they have different production technologies. It seems that the structure of Palsangjeon did not just adopt the construction technology of multi-story architecture in the Chosen Dynasty, but it was developed from wooden pagodas in the Koryo period, including the Gilt-Bronze Pagoda. 5. Since the ancient days, most Chinese and Japanese wooden pagodas have adopted an accumulation type of structure using pipe pillars, with accumulated pointed towers. On the other hand, though most Korean wooden pagodas have also adopted an accumulation type of structure from the ancientdays, one story type using whole pillars was created in the Koryo and Chosen Dynasties. The wooden pagoda structure of Palsangjeon, with stable vertical planes in a half story format, is a unique Korean construction technology, different from the construction technologies of Chinese and Japanese wooden pagodas. This thesis clearly determined the structural characteristics of Palsangjeon. However, various remains have yet to be analyzed in depth, to establish an accurate construction technology system. In the beginning of this thesis, I had difficulty in precisely interpreting the internal structure of the Gilt-Bronze Pagoda from its appearance. However, in the process of study, the more serious problem was that there are few remains or ruins of multi-story architecture in ancient and the middle ages of Korea. Therefore, it is urgent to discover various remains in the future. This thesis succeeded in determining the structural characteristics of Palsangjeon. However, it fell short of clarifying the structural lineage of the stable vertical planes, although they show indigenous Korean architectural taste, representing the unique national emotion, and the construction format of multi-story wooden pagodas in Korea. I hope this is clarified in the future research.