The purpose of this study is to analyze the expressive elements and techniques of graffiti appearing in the Moschino collection by Jeremy Scott. A theoretical examination of graffiti art and Moschino’s creative designer Jeremy Scott was conducted using previous studies and publications. Accordingly, keywords about the expressive elements and techniques of graffiti and Moschino were identified, as follows: expressive elements of ‘message (slogan)’, ‘symbolized letters or forms’, ‘logo and brand symbol’, ‘graffiti (scribbles)’, ‘child-like elements’, ‘daily element’s and expressive techniques of ‘using primary colors (color contrast)’, ‘deformation’, ‘distortion’, ‘exaggeration’, ‘illusion (trompe l'oeil)’, ‘collage (repetition)’, ‘simplification (flattening)’, and ‘borrowing heterogeneous objects’. These keywords were then used to analyze Moschino’s collection, comprising seven years of Moschino’s collection photographs officially recorded in the fashion magazine Vogue, ranging from the 2014 F/W to 2020 F/W collections. A total of 761 photos were initially collected, from which 561 were selected by the researcher. Expressive characteristics of graffiti in Moschino’s collection were analyzed, and identified in the following categories: ‘child-like playfulness’, ‘commercial satire’, ‘using daily elements’, and ‘borrowing non-representative techniques’. Accordingly, it was confirmed that expressive characteristics of graffiti were found in the Moschino collection by Jeremy Scott. This study anticipates the possibility of various interpretations from which fashion that communicates closely with contemporary art can be understood.

본 논문은 존 던의 작품 『제레미의 비탄』에 나타난 인간의 죄, 고난, 그리고 이에서 벗어나고자 하여 비롯된 절대자에 대한 간청이 어떻게 형상화 되고 있는가를 다룬다. 작가는 당대의 런던시에 창궐했던 역병의 위력에 영향을 받아 작품 속에서 영적인 병, 즉 신에 대해 저지른 이스라엘인들의 내적인 죄를 상세하게 그려내고 있다. 1610년대의 작품들은 주로 외적인 병폐를 다루었다면 본 작품은 인간의 내적인 부패상을 종교적인 시각에서 그려주고 있다. 그러나 이 작품은 예언자 자신의 죄의 고백과 참회, 그리고 신에게의 간절한 애원도 그려줌으로써 인간의 죄를 타인뿐만 아니라 자기 자신의 영역에까지도 깊이 있게 접근하여 상세하게 다루고 있으며 이를 연구하는 것이 본 논문의 주안점이다.