논문 상세보기
pp.7-22
Gimlyong-sa temple has played an important role of Buddhist culture in Gyeongsangdo Provinces(嶺南地域) in the late Joseon Dynasty as the 31st head temple(本山) in the Japanese occupation. There are lots of architectural documentary records remained nevertheless, most of cultural heritages are destroyed by fire in 1997. There were 85 articles in five kinds of books which contained historical achievements of Gimlyong-sa temple and hermitages(Daeseongam(大成庵), Hwajangam(華藏庵), Yangjinam(養眞庵), Geum seondae(金仙臺), Dosoram(兜率 庵), Myeongjeogam(明寂庵)). It is possible to understand the five situational peculiarities in the 17∼19th century. At the first, they were compiled in 1914 to around 1930 by Kwon Sangro(權相老) to clarify the historical facts. Second, confirmed the formation process of the foundation narrative. Third, the meaning of Seolseondang(設禪堂), Manseru(萬歲樓) and Hyangnojeon(香爐殿) were recorded, it is possible to look at the concept of people at that time. Fourth, the great masters portraits were enshrined in hermitages, not in Gimlyong-sa temple. It means that a hermitage is not for only self-discipline or living but assembly of religious orders(門派). Fifth, Chimgye(枕溪), the great Buddhist clergy and carpenter of Gimlyong-sa, was nationwide active worker in 19th century because he was also in a charge of investment manager for construction.
1. 서 론
1-1. 연구 배경 및 목적
1-2. 연구대상 및 방법
2. 김룡사 관련 기록물현황
2-1. 김룡사 관련 문헌현황
2-2. 김룡사 관련 문서현황
3. 17∼19세기 김룡사의 사역형성
3-1. 17세기 초창과 중창시의 사역현황
3-2. 18세기 김룡사와 암자의 성장
4. 17∼19세기 김룡사 영건활동의 특성
4-1. 김룡사 초창 상황과 창건인식의 변화
4-2. 19세기 전각 명칭의 의미
4-3. 암자 내 진영봉안과 영각 건립
4-4. 枕溪 敏悅의 활동
5. 결 론
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