This study is aimed at applying the philosophical concept of “différance” to contemporary men’s fashion design, which could effectively show the shift in thinking. For the study method, the author examined the theoretical background of deconstruction and prepared the standard of analysis by organizing the concept of “différance,” which exists at the center of philosophy. This study selected the three most popular brands: Maison Margiela, Comme des Garcons, and Yohji Yamamoto. The results are as follows. First, there is expression of perpetual reservation emphasizing time. This includes texture, patchworks, hems with ladder, and exposure of seam that expresses the trace of time flow and delayed delivery of immediate meaning, and the expression creates delay between major and minor and leads to consistent role exchange. Second, the trace of blank that emphasizes the space gives a visual sense of weight on spares with the intentionally granted space, as well as the space that is the trace of trace and creates a sense of depth through the direction of empty space. Third, the space created in the process of wearing cloth is visualized, the structure of clothing is deconstructed, and the movement from the process recomposes the shape of space and expands the definition that enables expansion of time and space. Fourth, the undetermined relationship expresses the border of time and space visually and deconstructs time and space. The approaches are mostly constructive, demonstrating an avant-garde form of clothes-wearing to show the non-form or imbalance condition.

본 연구에서는 자연분해재 펠릿과 polyethylene들을 이용해 LDPE와 신장율과 인장강도가 유사한 생붕괴성 플라스틱 필름들을 제조하였다. 식품 포장재로서의 안전성, 광분해성, 열분해성 및 곰팡이 생분해성을 평가한 결과 제작된 생붕괴성 플라스틱 필름들은 식품 포장재로 사용하기에 안전하고 LDPE 필름에 비해 상대적으로 우수한 분해 특성을 나타내어 환경친화적인 식품 포장 소재로 사용될 가능성을 보여주었다.