본 연구는 ‘궁중비화’를 소재로 하고 있는 사극영화의 서사발화와 재현방식의 변화를 분석하여 사극영화의 장르적 관습을 살펴보고자 하였다. 연구를 위해 시대를 대표하는 세 편의 영화 <영원한 제국>, <왕의 남자>, <광해, 왕이 된 남자>를 선정하여 채트먼의 서사이론을 활용하여 분석하였다. 분석결과 서사발화에 있어서는 ‘사건’과 ‘시간’에 중점을 둔 서사에서 ‘인물’ 즉 캐릭터에 중점을 둔 서사구조로 변화했다. 이러한 변화는 최근 들어 두 가지 구조의 장점을 흡수하며 서사에 커다란 사건과 매력적인 인물을 동시에 발화시키는 방식의 전환을 통해 좀 더 복잡한 구조를 보이는 것으로 나타났다. 한국 사극영화의 이 같은 서사구조의 변화는 시대적 요청에 의해 관객들의 수용형태를 고려한 영화장르의 전략적 변화라 할 수 있다. 영화에서 보이는 재현양식들을 살펴 본 결과 한국 사극영화의 서사는 다양한 담화적 방식을 통해 구체화되었다. 화면비율의 변화에 따라 영화는 영상미학적 발전을 이루었으며, 카메라 연출, 촬영기법의 변화, 감각적이고 세련된 영상미, 그래픽을 활용한 다양한 기술적 요소들은 사극영화의 서사와 이미지의 재현을 사실적 묘사를 통해 관객과 소통하고자 시도하였다. 결국 사극영화에서 보이는 서사와 재현양식의 변화는 역사적 사실성과 영화적 리얼리티를 구체화시키고 강화하기 위한 방식으로 양식체계의 발전을 이루었다. 나아가 변화를 통해 현실정치를 비판하고, 시대가 요구하는 정치적 견해를 작가적 메시지로 재현하며 영화의 예술적 창작기능과 사회적 기능을 발현시켰다.

The purpose of this study was to examine the process to manufacture costume design of main female characters of TV historical drama〈Lee San〉and suggest the costume, which is developed with contemporary taste. As study methods, the literature study using books and theses concerning costume, fine art, culture and history were used for theoretical background and the empirical study method manufacturing actual costume on the basis of literature and relic were used for dress manufacture. The study results were as follows. The costume was decided by researching historical investigation material on the basis of synopsis, grasping director's basic intention, setting design direction, preparing design map of each character, selecting style, detail, fabric and color, manufacturing sample and performing camera test. The design concept of〈Lee San〉was Modern & Chic & Clean, short & fitted chogori, chima with wide & abundant cocoon silhouette, clean & bright colors and 100% silk fabric. For the design discrimination of royal semi-formal costume, color was used to symbolize character and pattern was used to symbolize social status. In addition, detail change was adopted depending on the body shape of actor and there was almost no design discrimination in silhouette and fabric. Petticoat of the west, modernization of transitional pattern and change of detail were adopted as design elements to add contemporary taste.

The purpose of this study was to develop royal costume design with contemporary taste depending on the character of hero, Lee San, and time flow of TV historical drama〈Lee San〉and research design discrimination and creative expression. As study methods, the literature study using books and theses concerning costume, fine art, culture and history were used for theoretical background and the empirical study method manufacturing actual costume on the basis of literature and relic were used for dress manufacture. The design concept of costume was modern & chic & clean. The costume was designed through straight silhouette, clean & bright colors excluding prime colors, style transformed to permanent straight pleats on the basis of chulik, 100% silk material focusing on high quality and pattern & decoration of the age of Three Kingdoms. As results, the designs of princess' official rob, day dress and chulik, and emperor's official robe, chulik, military dress and chun-dam-bok were developed. The design discrimination depending on social status change. In the period of princess, black, white, silver and blue were used but in the period of emperor, red, gold and black were used. It was expressed through dragon pattern and extended length used in cloth. The design discrimination depending on character change was visualized through color. Although it is not consistent with historical investigation, contemporary fashion design elements were added to royal costume through color contrast of black & white, permanent straight pleats, velcore, wristlet, extended length and layered-look.

The purpose of this study is to investigate how the morpheme "-sab-" is used in the contemporary Korean historical drama scenario. Since the "-sab-" is always used with a word(s) showing the meaning of politeness, its function is to express speaker's politeness. Especially, the politeness word is optionally used with the morpheme "-sab-" but the "-sab-" is always required to use with the politeness word. A grammatical principle to express the politeness is generally related to the speaker's intention. Although the "-sab-" does not exist in the sentence presenting the politeness, the sentence does not have any problem with the grammaticality. The "-sab-" is limitedly used in the addresseehonorifics scale. In the scale, the "-sab-" can be combined with 'ha-so-seo'(old polite level form), 'hap-syo'(new polite level form) and 'hae-yo' (semi-polite level form). This means that the addressee is not respected by the speaker as much as the speaker is supposed to express the politeness. The morpheme "-sab-" is used in forms of regular combination "-sa-ob-/-sa-o-" and "-ob-/-o-" which are phonologically conditioned allomorphs. Sometimes, the "-sab-" is also used in a irregular combination form, which seems to be historically fixed. (188)