유리를 매체로 하여 빛과 색을 종합시킨 스테인드글라스는 그 시작부터 건축적인 예 술이었다. 고딕건축을 통하여 최고조에 이른 스테인드글라스가 르네상스의 자연주의, 사실주의 회화와 벽화의 전개로 차츰 쇠퇴하면서 거의 잊혀 지는듯 하였으나 20세기 초 부터 다시 부각을 드러내기 시작하였다. 본 연구에서는 일반건축 중에서도 상업공간에 도입된 건축스테인드글라스로 연구범위를 좁혔으며, 상업공간에 도입된 국내외 현황을 서술하고 앞으로의 발전 가능성에 대해 알아보았다. 이 논문을 통해 국내외의 건축스테인드글라스의 현황을 정확히 파악하여 앞으로의 발전방향을 잡고 상업공간 뿐만 아니라 스테인드글라스의 도입이 필요한 여러 일반건 축물들에 대한 연구 또한 끊임없이 해나가야 할 계기가 생겼다. 또한 기존에 있는 제작 기법을 바탕으로 새로운 기법연구와 건축을 포함한 여러 전문가들의 협업으로 좀 더 전문적인 지식으로 스테인드글라스를 연구하고 발전시키는데 본 논문의 의미가 있다 하겠다.

Considering the established research about the characteristics of traditional expression in a contemporary korean architecture, there are two critical problems. the one is that the extent of a case is limited to a public building and a large exhibition building. the other is that the angle of research focus on the viewpoint of specific a level. To settle these problems and supplement a established research, this study is to investigate and analyze the characteristics of popular traditional expression in small commercial buildings. In A viewpoint on the expansion of a case and a various angle, A small commercial buildings is selected as a case. because it is felt that the populace's taste vis-a-vis traditional expression. To investigate and analyze, A main analytic criterion is follows. 1) A expressional method on traditional architectural form 2) A expressional aspect by architectural element 3) A expressional aspect in architectural material 4) A expressional aspect in architectural structure. In consequence we can find out the following results in the process of analysis. 1) In expressional method on traditional architectural form, the traditional expression is represented as the imitation and transformation of a traditional folk house forms, and the embodiment of traditional image 2) In expressional aspect by architectural element, the traditional expression elements is mainly represented at a straw roof and a mud-plastered wall 3) the traditional expression material is mainly straw, timber, small wood boards and mud 4) In expressional aspect in architectural structure, the traditional expression is represented from the viewpoint of decorative expression.

The urban form of Korean cities significantly changed in the late Chosun dynasty. The influence of commercial development was the main cause of these changes. Commerce became a important function of existing cities, and the new type of commercial towns emerged at the important spots of traffic routes. In both cases streets became dominant element of urban form. Mainly commercial buildings aggregated along the streets, and to obtain higher land use intensity shape of lots became narrow and deep. Koyang(高陽) shows the most significant example of this new type of lot and lot pattern. Approximately 30 narrow and deep type of lots lined on each side of street forming about 390 meters long linear commercial town. Similar examples were found at the outside of south gate of Suwon(水原), Nuwon(樓院), and Pangyo(板橋).