본 연구에서는 미디어아트, 또는 기술 매체와 신체의 인터페이스를 강조하는 인터랙티브 미디어아트의 해석적 틀로서 현상학적 체현인지의 관점을 제시한다. 메를로퐁티의 현상학과 체현인지 이론에서 영향을 받은 최근의 HCI 연구와 매체 미학의 상통하는 개념들을 발굴하여 미디어아트의 현상학적 도식을 제안해 보았다. 체험된 신체, 현상학적 장, 점진적 체화와 지향성, 시선의 이동성과 가상성 등은 미디어아트를 읽어내기 위한 개념 틀과 어휘의 형성에 이바지할 수 있어 보인다. 이는 탈 경계와 혼종성을 중심으로 한 포스트 휴머니즘이나 기술철학적 관점을 대체하기보다는, 서로 상보적인 관계에서 미디어아트 해석의 다양성을 높이는데 기여할 것으로 보인다.

Carbon nanotubes, consisting of rolled graphene layer built from sp2 units, have attracted the imagination of scientists as ideal macromolecules and their unusual physical and chemical properties make them useful in the fabrication of nanocomposites, nano-electronic devices and sensors etc. In this account, the current status and prospect of carbon nanotubes is described with a special emphasis on the safety issue of carbon nanotubes. Even though many challenges to be solved remain, extensive and intensive efforts in both academy and industry will clear out those problems soon and finally enable carbon nanotubes to play a key innovative material of 21st century in numerous industrial processes.

The art field of contemporary society is developing rapidly, and digital media is developing at a high speed. The installation art, which is rooted in contemporary art, has gradually become an important art form of new media art with its unique conceptual, experimental, on-site and interactive nature. In the late 20th century, the media scene has become more diversified with the development of science and technology, and the creation form and content of installation art have been more fully developed, and once became the patent of avant-garde fashion designers. On this basis, with the help of outdoor art behavior, the article makes an in-depth exploration and research on the integration and development of digital media technology and installation art.