Across the culture of Western Europe, dichotomy based on the visual sense has evolved. They believed eyes and ears requiring a distance related in recognition, are more developed than any other human senses in human body. Dominant position, as a condition to using a perspective, the eye has been just concentrated in the development of optical sight. But developed a variety of modern media, highlighting the importance of the other perception, it makes dichotomy to the expansion of perception over the single function of visuality. Recently, Guille Deleuze and Merleau-Ponty try to recover the sense of tactility segregated in skin from body keeping eyes for distance. By the result, the activity can be happened by being connected to the body rather than to eye in the space between the subject and object. From the phase of recognition where the human body tries to identify the object in the space considering a time, it will be changed for the subject to the phase of structure vice versa. Visual tactility is to eliminate the distance between subject and object. If the visual tactility is to erase the distance different from the visual in dichotomy, it will be occurred to having a tension and makes new relationship to work trying to move the subjective point of view in object. Like this evidence in analysis of architecture, it can be easy to find the Korean architecture rather than western architecture in terms of emphasizing the time and space. The fact, architecture of Lee Dynasty had been preserved and consisted basic form and style over the centuries makes us assume that visual tactility was considered as well as the visual sense. This study will be intensive in terms of visual and tactile inherent in the subject and how it is being connected to the movement in the space and time.

1. 서론
    1-1. 연구의 배경 및 목적
    1-2. 연구의 범위와 방법
2. 시각과 시촉각에 의한 운동
    2-1. 시각과 운동
    2-2. 시촉각과 운동
3. 연경당
    3-1. 접근과 정면
    3-2. 진입
    3-3. 사랑마당
    3-4. 선향제
    3-5. 사랑채 뒷마당
    3-6. 안채 뒷마당과 옆마당
    3-7. 안마당
4. 결론
참고문헌
Abstract

• 육옥수(서울예술대학 실내디자인과 교수) | Yook, Ok-Soo (Professor, Seoul Institute of Arts) Corresponding author