본 연구는 뉴스 콘텐츠의 디지털화 과정에서 발생하는 여러 가지 변화들이 기자 들의 이직의도에 어떠한 영향을 미치는 지를 알아보고자 하였다. 현재 미디어 환경 의 변화로 인해 뉴스소비자들의 뉴스소비 스타일과 방식이 급격히 바뀌면서 이에 대응하기 위한 국내외 신문업계의 방안 중 하나가 통합뉴스룸이라 할 수 있다. 통 합뉴스룸은 기존의 종이신문과 방송 그리고 웹을 통합하여 텍스트 · 비디오 · 오디 오 · 그래픽을 아우르는 뉴스 콘텐츠를 생산하여 다양한 매체를 통해 뉴스를 공급 할 수 있도록 하기 위한 것이다. 본 연구는 통합뉴스룸 이후 국내 언론사에 종사하는 기자들을 대상으로 언론조 직 문화에 대한 인식과 조직몰입, 직무만족 등을 살펴보고, 이러한 변인들이 기자 들의 이직의도에는 어떠한 영향을 미치는 지 조사하였다. 이를 위해 통합뉴스룸을 도입한 신문사에서 종사하는 기자들을 대상으로 설문조사를 실시하였다. 분석결과, 국내 언론사에서는 관계지향형, 혁신지향형, 위계지향형등의 언론조직문화 유형중 위계지향형이 기자들의 이직의도에 영향을 미치는 것으로 나타났다. 또한 기자들의 이직의도에 영향을 미치는 요인을 알아본 결과, 조직몰입 및 직무만족, 그리고 직 무탈진 등이 기자들의 이직의도에 영향을 미치는 것으로 조사됐다.

The goal of this paper is to analyze the relationship between pedagogy and the emergence of contemporary Korean architecture after the 1990s. For this purpose, the paper deals with the education and work of two important contemporary Korean architects, Kim Seung Hoy and Choi Wook. Kim and Choi were part of a group of young architects that went abroad in the 1980s to study at the centers of architectural education in Europe and the United States. Through their education and work, the paper discusses the relationship among education, history, and design practice in architecture. During their studies at Michigan University and IUAV in Venice, they were commonly influenced by Colin Rowe through their studios. In the case of Kim Seung Hoy, he was introduced to the Beaux Arts logic of the analytique and esquisse through the teaching of Steven Hurrt, a disciple of Colin Rowe. Choi Wook took studios that involved formal analysis and comparison of Palladio and Le Corbusier. The paper further analyzes their works in Korea by employing the concepts of fragments and systems, ignorance and knowledge. The paper concludes that, in Korean contemporary architecture, fragments and systems, ignorance and knowledge, lie in the middle of ongoing creative process that must distinguished from the West, where architectural history provides an established tradition of systematic knowledge.

Soengyo-jang has some characteristics as the most great house, the special functions, and the non-regional type of house form. And it has constructed continuously for two centuries by many owners in the different generations, It needs a special research method ; which are consist of a) comprehension of background information from documents and oral instructed materials, b) pursuit of design process through the building survey, and c) theoretical interpretation about 'collectivism'. From the results of this research, it is revealed that the architectural purpose of this house was constructing 'a great manor'. At first phase, it had been a single ordinary house, at second, it had expanded to a complex including many housing clusters, and finally became to expand its dwelling territory into whole village. Its expansion was progressed by the four collecting phases of which were building, building cluster, group of clusters, and topological setting. Main design elements operated in each of collecting phases ; they were partial element of <Ondol+Floor>, exterior spaces of <Madang>, a linear building of <Haenglang>, and a pavilion of (Hwalleajeong>. The last two elements were also powerful datum.