본 연구에서는 flavonoid apigenin과 baicalein의 세포 실험으로 콜라겐 회복효과를 확인하고 전사체 비교 분석을 통하여 collagen 회복 효과를 뒷받침할 수 있는 결과를 제안하고자 한다. 연구 결과 apigenin과 baicalein은 HS68 세포주에서 UV에 의해 손상된 I형 collagen 회복에 효과를 보였으며, 두 물질 모두에서 ECM 관련 유전자들의 발현 변화를 확인하였다. ECM을 조절하는 공통적인 메커니즘을 보일 뿐 아니라 각각 다른 범주의 유전자들을 변화시키는 결과도 보여서, 세포에 다양한 영향을 미치는 것으로 예측할 수 있었다.

본 연구는 최근 산업곤충으로 주목받고 있는 쌍별귀뚜라미의 생산 효율 증대를 위해 수행되었다. 이를 위해 온도, 습도에 따른 부화율 및 부화 기간을 비롯하여 사육 밀도에 따른 생존율 및 산란 온도에 따른 산란수를 조사하였다. 적정 부화 상대습도는 90% 조건에서 부화율 90%를 보여 가장 높았다. 온도별 부화율 조사결과 20℃에서 98.3%로 가장 높았다. 또한, 온도별 부화 35℃조건에서 7.1일로 가장 짧게 나타났다. 또한 사육 용기에 3,000~20,000개체를 투입하여 35일간 조사한 밀도별 생존율은 34~18%였다. 쌍별귀뚜라미의 먹이에 채소 급여가 성장에 미치는 특성을 조사한 결과 생존율은 1.8배, 생체중량은 2.5배 높게 나타났다. 온도별 산란수 조사결과 25℃ 조건에서 30일 후 1,710개로 가장 높았다.

본 논문은 1970년 아시아에서 최초로 개최된 일본만국박람회(日本万国博覽會)와 전위예 술에 대해 살펴보았다. 일본만국박람회를 국가 이미지를 표상하는 문화외교 정책을 위한 장으 로 파악하고 기존의 일본의 전후 미술사에서 잘 다뤄지지 않거나 지엽적으로 서술되는 데 그친 ‘환경(環境)’ 담론 및 테크놀로지를 강조한 환경예술의 예술가 협업 그리고 구타이미술협회의 후 기 활동에 해당하는 일본만국박람회 출품작에 대해 검토하였다. 여기서 테크놀로지를 이용한 전위예술 경향은 과학기술의 발전이라는 측면을 제시하였으며 이는 진보, 미래와 동일시되어 이를 강조하는 정부당국의 방향성과 합치되는 면이 있었던 것으로 보인다. 일본만국박람회에서 전위예술은 일본이 고미술 등의 전통 뿐 아니라 현대미술에 있어서도 문화대국으로서의 면모를 지니고 있음을 알리고자 했던 정부당국의 의도를 실현시키는 역할을 하였다고 볼 수 있다.

There are so many animals, mostly dogs, that have been abandoned by their families to roam around the streets of Korean cities and towns. These animals often die in a miserable way such as being run over or being killed and eaten. It is a terrible site to see these dogs, lost and confused in a world without kindness. One solution to the problem is adoption, as it can save life and by example become a driving force to fundamental change in the thinking of other and in society. We are aimed to conduct the survey research to evaluate the university students's awareness of the adoption of the abandoned animals. We deals with the findings obtained from extensive interviews with a representative samples. The objectives of interviews included 789 students in Wonkwang, Keimyung and Chosun University. Questions focused on how students were recognized the need and policies of the adoption of the abandoned animals. Questionnaire and technical data are analysed and summarized. As the results of the survey research, the objectives of interviews had well understood about the policies of adoption of the abandoned animals. Conclusionally, the promotions of adoption of the abandoned animals were need. The effective promotions of the adoption of the abandoned animals will be desirable for the establishment of abandoned animal welfare.

The aim of this study was to investigate correlations of the Trunk Control Test (TCT), Postural Assessment Scale for Stroke (PASS-TC), and Trunk Impairment Scale (TIS) and to compare the TCT, PASS-TC, TIS and its subscales in relation to balance, gait and functional performance ability after stroke. Sixty-two stroke patients attending a rehabilitation program participated in the study. Trunk control was measured with the use of TCT, PASS-TC, TIS balance (Berg Balance scale; BSS), gait ability (10 m walk test), functional performance ability (Tuned Up and Go Test TUG) and the mobility part of the Modified Barthel index (MBI), Fugl Meyer-Upper/Lower Extremity (FM-U․L/E). The scatter-plot (correlation coefficient) was composed for the total scores of the TCT, PASS-TC, and TIS. The multiple regression analysis was performed to evaluate the impact of trunk control on balance, gait, and functional performance ability. Twenty eight participants (45.2%) and twenty participants (32.3%) obtained the maximum score on the TCT and PASS-TC respectively; no subject reached the maximum score on the Trunk Impairment Scale. There were significant correlations between the TIS and TCT (r=.38, p<.01), PASS-TC (r=.30, p<.05), TCT and PASS-TC (r=.59, p<.01). Stepwise multiple regression analysis showed that the BBS score (β=.420～.862) had slightly more power in predicting trunk control than the . TIS-dynamic sitting balance, TUG and the MBI-mobility part. This study clearly indicates that trunk control is still impaired in stroke patients. Measures of trunk control were significantly related with values of balance, gait and functional performance ability. The results imply that management of trunk rehabilitation after stroke should be emphasized.

This thesis examines contemporary Chinese painting after the CulturalRevolution(1966~76), focusing upon so-called “Chinese Pop art”, which I termed as“Socialist Pop art”. I considered the art of this period within the broader context of socialchanges especially after the Tienanmen incident of 1989.After the Cultural Revolution during which idolization of Chairman Mao was at itspeak, one of the major changes in communist China was that an anti-Mao wave wasgenerated in almost every social class. For example, novels that revealed the hardshipsduring the Cultural Revolution were published. Posters that openly criticized the Maoismwere also produced and displayed on the walls, and demand for democracy spurredwidespread activist movements among young generations. These broad social changeswere also reflected in art. A variety of art movements were introduced from the West toChina, and after a period of experimentation with the new imported styles, artists began toapply the new artistic idiom to their works in order to visualize their own social andpolitical realities they lived in. It was a shift from earlier Socialist Realism to a newexpression either directly or indirectly, “Socialist Pop”, an amalgam of Socialist Realism andPop art tradition. After the 1989 crackdown of Tienanmen Square protest, when communistgovernment quelled with brutal measures the students, workers, and ordinary people whorose for democracy, greater urge to protest the Deng Xiaoping regime emerged. This timecoincided with the gradual emergence of art using Pop art vocabulary to satirize the socialreality, the Socialist Pop art, along with many other art forms all with avant-garde spirit.One of the most frequent subjects of Chinese Pop art was visual images of ChairmanMao and his Cultural Revolution, and new China that was saturated with capitalism, whichtainted the Chinese way of life with a Western way of consumerism and commercialism.The reason for the popularity of Mao’s image was spurred by the “Mao Craze”in the early1990’s. People suddenly began to fall in a kind of nostalgia for the past, and once again,Mao Zedong was idolized as an entity who can heal the problems of modern China whohad been marching towards their ultimate destination, the economic development. But this time Chairman Mao was no more an idol but just a popular, commercial product. He is nomore an object of worship of almost religious nature but he has become an iconographysymbolizing the complex nature of present Chinese society. During this process ofdepicting the social reality, Chinese artists are making the authority and sanctity of Maoismineffective. Dealing with this new trend of contemporary Chinese art in view of “Socialist Popart”two manners of re-creating Pop art can be illustrated: one that incorporates thepropaganda posters of the Cultural Revolution; the other borrows from Chinese traditionalpopular imagery or mass media, such as photos taken during Mao era. What is worthmentioning is that these posters and photos of the Cultural Revolution can be identified as‘popular’media, as they were directed to educate the popular mass, thus combination ofthis ingenuous pop media with Western Pop art can be fully justified as a genre unique toChina. Through this genre, we can discover a new chapter of the Chinese contemporarypainting and its society, as their Pop art can be considered as self-portraits true to theirpresent appearances.