The Chapel and Exhibition hall of Chul-du-san-Holy place are considered as the most important work of architect Lee Hee-Tai (1925-1980), and as a work representing Korean architecture in 1960's. What is the reason that these buildings can acquire such a remarkable estimation? This study tries to make clear this reason with an analytic method. These buildings are situated in singular site, in which small mountain comes up alongside with Han-river. Architect laid out the Chapel and Exhibition hall to the memory of 108 saints who died for their faith in this mountain, considering the specificity of the site, the direction of approach stair, and the formation of public space. Architect proposes an opposed composition of form for these two buildings. So the Exhibition hall is characterized by trabeated structure, centripetal force and Apollonian order. It has strictly proportioned facade, which is composed of two 15m-by-l5m squares and subdivided equally in three portions. The Chapel is charaterized by arcuated structure, centrifugal force, and Dionysosian sentiment. In this work, architect Lee Hee-Tai also expressed the locality of Korean architecture with the grammar of column-roof.

This interior landscape design was proposed for the Han kyung zic memorial hall in soongsil university. Exhibition spaces have been recognized as places for the exchange of information, and various exhibitions and expositions have actively been held. Thus, the need for systematical design and planning of interior landscaping of a variety of exhibition places is called for. The goals of this study is to offer the opportunity of contact with the harmony of creation. Analyzing the harmony of creation which are appeared in architectural and interior landscape design, it is found out that a strong theme is needed to landscape an exhibition space. The theme is useful to increase the recognition and concentration of visitors, draw their attention, and convey clear information. Through the exhibition created by this plan, we will have more opportunity of contact with harmony of creation. An Exhibition space is a place where visitors meet and communicate with each other. Thus, design and planning of interior landscape considering the characteristics of exhibition spaces are expected to provide more information and interests with visitors. In this regard, systematical studies need to be conducted in link with the field of exhibition design.