The purpose of this paper is to reconstruct the original floor plan and wall design of Seokbulsa Grotto in Kyungju; commonly known as ‘Seokguram’. The paper presents an array of dimensional studies of the existing Seokguram to examine its architectural form, and infers the original floor plan and wall design of Seokbulsa Grotto. Seokbulsa Grotto is designed as a system of 'coherent modules' and was constructed using the dry stone method, which interlocks large stone modules into a whole that becomes the load-bearing structure itself. The design principles governing Seokbulsa Grotto are the spatial axis of symmetry, modular coordination, and the layout grid of a quarter Tang-Ruler(TR: 唐尺). Dimensional studies were conducted with these governing principles in mind and concludes the following about the original floor plan design. In the main chamber, Ansang-stone’s radius is 12 TR, and Flagstone’s radius is 121/4 TR. In the front chamber, the width between the two Ansang-stones facing each other is 22 TR and the longitudinal space depth is 12 TR, while the width between the two Flagstones facing each other is 221/2 TR and Flagstone’s depth is 12 TR. In the passageway, the width between the two Ansang-stones facing each other is 111/2 TR and longitudinal space depth is 9 TR, while the width between the two Flagstones facing each other is 12 TR and Flagstone’s depth is 73/4 TR. The distance from the center to the entrance line of the main chamber is 101/2 TR. Therefore, the total longitudinal length of the Grotto is 431/2 TR at the level of the Ansang-stones, and 44 TR at the level of the Flagstones.

본 연구의 목적은 심전도를 활용하여 원룸형 평면 계획 구성에 따른 자율신경계의 반응을 측정하는 것이다. 지금까지의 생리 신호는 대부분 제한된 건축요소에 대해 개별적으로 측정되었고, 이 결과들은 실제의 전체 원룸공간에서 측정된 데이터와는 차이가 있다. 그러므로 보다 동적인 환경에서 인간의 감성을 추출하고자 본 연구를 수행했다. 먼저, 무작위로 수집 된 43 개의 원룸은 욕실과 주방의 위치에 따라 10 가지 유형의 평면 구성으로 분류되었다. 그 다음 건강한 10명의 피험자로부터 평면 구성 변화에 따른 자율신경계의 반응을 측정하였고, 쾌적성 및 선호도에 대한 주관 평가가 시행되었다. 결과적으로 평면 구성 따른 유형별 LF/HF의 평균 비율에는 통계적으로 유의미한 차이가 있었다(p <0.05). 본 연구 결과는 평면의 구성이 원룸의 공간의 질에 영향을 미칠 수 있다는 것을 보여주는 확실한 증거를 제공하며, 이 접근법이 일인가구의 정신 질환을 악화시킬 수 있는 스트레스를 해소하는 데 효과적임을 제시한다. 앞으로 피험자수를 늘려 보다 정확한 통계적 분석을 하고자 한다.

주택은 삶의 형태는 물론 인생의 철학이나 가치를 반영한 것이다. 또한 한 나라의 문화를 이해하려면 다른 나라의 문화도 이해 해야 한다. 이러한 점에서 한 중 일 아파트 평면의 비교는 큰 의미가 있다. 한국 , 중국 , 일본의 현대적 주거 특성을 비교하여 상대적인 정체성을 도출할 필요가 있는 것이다. 한국과 중국 그리고 일본의 경우 공통점을 공유하면서도 역사적으로 서로 다른 발전 과정을 거치면서 독자적인 주택형태를 발전시켜 왔다. 근대화 과정을 거치면서 급속한 인구증가에 따라 한국과 중국 일본이 함께 아파트가 대표적인 주거유형으로 자리 잡아 가고 있는 상황이다. 한국 중국 일본의 전통적인 공간의 개념으로 현대 사회의 아파트의 평면을 살펴 보았을 때 공통점과 차이점을 발견하고 공간을 구획함에 있어 이러한 환경이 모두 영향을 끼친다고 가정한다면 한국 중국 일본의 아파트 평면을 비교하려는 시도는 중요하다. 이번 연구에서도 전통 공간에 대한 이해방식의 하나의 사례를 선택하여 특성을 살펴 보았기 때문에 분석 결과를 일반화 하는데에는 한계가 있고, 특히 영토가 넓은 중국의 경우 다양한 아파트 평면이 나타나고 있음을 감안해 볼때 이와 같은 비교 작업의 경우는 의미가 약화될 수도 있지만,본 연구에 결과가 시사하는 바는 평면 특성의 일반화를 모색하기 보다는 앞으로 각국의 특성을 반영한 평면의 개발을 모색할 수 있는 출발점 내지 계기를 마련한다는 점에 그 의의를 찾을 수 있다.

The aim of this study is to identify the floor plan types of folk houses or traditional vernacular dwellings found in Nagan Folk Village located in Joellanamdo province. Examining the floor plans appeared among 36 vernacular folk houses presumably built in the 19th century in the village by means of the changes in the number of bays of Anche, the mail block of the house, the study was also able to construct a spatial compositional process of floor plan development. The floor plan examination revealed that the basic floor plan type in Nagan folk housing was 'ㅡ' shape, a typical southern dwelling based on the existing classification. This basic type is consisted of three bays or rooms: Jeongji (kitchen), Anbang (large room), and Jageunbang (small room). New spaces or rooms are added to this three room house to expand the house as the residential functions become more complex, such as more living and storage spaces. The expansion appears to have two direction. On the one hand, it has been taken place by inserting Marea, an open wooden floor living space between Anbang and Jageunbang to meet the extended living demand. On the other, Jeongjibang, a second kitchen/storage has been attached to Jeongji outward for extra cooking and storage. This two-way expansion shows the trend of symmetric expansion between cooking, storing space and dwelling space. It can be implied that the arrangement of house rooms has been structurally formulated and shared by the farmer-builders in the 19th century in Nagan village who appeared to be influenced by fixed images for housing.

As a result of analyzing the floor plan shown in the three drafts, there were a great deal of differences in composing the space of the inner main hall. The inner room facing to the east with the arrangement crossing the inner floor at right angles in the 'Baekdangguje Draft' faces to the south in the east or west in front of the main house thereafter. This represents that it reflects the intent of the owner of the architecture emphasizing the size increase and ceremonies of the main house in the 'ㅁ shape', which has changed to the directions of easily accommodating the Confucian ceremonial activities in the floor plan of the inner house as the size of the main house was gradually increasing from 24 sections to 30 or 38 sections. The expansion in the size of main house further divided the functions of floor into one for daily life and the other for ceremonies as well. In other words, the 30 Sections in Yijeong Draft as being the first planned draft for reconstruction had a hall for memorial services in the main hall of the inner house, whereas the 'Draft with 38 Sections' as being the second planned draft for reconstruction was planning a room with a floor (two sections of Bangdang) for memorial purpose in the back of the inner main hall. The variations in the guest house (or space for men) shown in the drafts confirms the establishment of space for men as the size of the main house increases. We can see the change that a large guest house is placed over the south and in the south and east of the main house as the number of main house increases by 30 sections or 38 sections. Especially, a guest house with a wide space in a 'ㄴ shape' is arranged from the south of main house to the east wing in the Draft with 38 Sections. In addition, the backward sections are advanced in the front and back of guest house in the drafts with 30 and 38 sections, while a back floor or a back floor connecting to the back room or sleeping room or inner house is installed in the backward sections.