The purpose of this study is to explore the language attitude of 20s toward genderlect. This study focused on the representation of genderlects in South Korean dramas, and was based on the media reception theory. In the research, 32 men and women aged between 19 to 24 were interviewed in focus groups. The data were analyzed qualitatively. The research results are as follows. First, the participants partially recognized the characteristics of genderlect which were reported in previous studies, and the opinions among the participants hardly agreed. Second, the way which dramas represent genderlect was shown as breaking away from traditional gender roles and the reestablishment of overturned gender roles. Third, this study categorized the positive and negative responses of the participants toward the use of gender language. Fourth, participants’ attitude toward genderlect was gradually arranged from negotiation to opposition. This study is meaningful in that it comprehensively demonstrated the language attitudes of the younger generation. However, there still remains a margin on further research in consideration of non-binary participants and broader contexts.

The term of culture industry was first presented by Adorno and Horkheimer. In the Culture Industry Theory, culture was explained as products of media (TV, Newspaper, Radio) and markets which were constantly adjusting consumption. And now the culture developed more industrialized in television dramas, movies, pop songs and their associated celebrities and their SNS, TV programs and fashion styles. The customer, especially Young Generation is involved in culture industry more widely, conveniently and closely, such as Web Series. The consumption of Web Series increased with multipliers especially the popular culture in Asia and Young Generation. Accompanied by developing rapidly, fierce competition happened in Web Series Industry. The purpose of this study is exploring what motivations drive Young Generation to Wen Series. This study will try to explore a measurement system of the equity of Web Series based on customer equity theory for estimating the future competitiveness and figure out what motivations drive customer’s perception of Web Series.

Unlike older generation whose consumption of music was bounded by their local culture, today’s young consumers access music beyond cultural boundaries. Many successful pop music in cyber space attracted billions of listeners from all over the world. The young generation born and raised in the digital age, are often thought to have altered sensory-neural characteristics because of their extensive use of electronic device since early childhood. This study investigates a perceptual saturation hypothesis which posits that in order to capture the young generation’s hard-to-get attention, online music must present a high level of energy and rhythm that is near the point of perceptual saturation. We conducted a functional near-infrared spectroscopy (fNIRS) experiment with sixty-four young adults and found that total cerebral blood volume over prefrontal brain area was higher for a song that presents acoustic intensity near the point of perceptual saturation than a counterpart stimulus with lower levels of acoustic intensity. The degrees of prefrontal hemodynamic randomness decreased significantly while the participants listened to YouTube music that provided high levels of acoustic stimulation. Online popularity, recorded as the number of daily hits, was positively correlated with the total cerebral blood volume and negatively correlated with hemodynamic randomness.

This study deals with human reaction speed according to human physical conditions (body size) such as head width, thickness, breast width, arm extent, and age Especially, the results of this study are compared between young and old generation. According t