The purpose of this study is to expand satirical expressions that appear in a wide range of arts into fashion and to analyse and present satirical expressions that appear in contemporary fashion through the collections of Thom Browne. Theoretical examination of satirical concepts were made of domestic and foreign academic theses, dissertations, precious studies, and publications related to satire. Analysis was conducted on cases in which satirical expressions were applied in literature, painting, sculpture, and fashion. Based on these studies, analysis was conducted on satirical expressions appearing in Thom Browne’s work. Material was gathered from collection reviews, interview articles, professional books, and internet photo material from professional fashion magazines encompassing 16 years of Thom Browne’s collections officially recorded in the international fashion magazine ‘Vogue’, ranging from the 2006 S/S collection to the 2021 S/S collection. From this, a total of 1,753 photos were collected as data. Characteristics of satirical expression were analyzed and the results were as follows. A fluid reconstruction of ‘gender fluid’, dual meanings of metaphorical allegories, playful expressions of visual wit, constructions made of overlapped disassembled material, and borrowing of morphological distortion were all identified. Accordingly, satirical approaches as social aspects and objects in the flow of modern thought appear as positive forms based in humor that hope to be improved. This study anticipate the concept of satire will expand into a positive form as a new direction of fashion.

The purpose of this study was to develop contemporary Qipao design that emphasized creative feminine beauty with a unique sense beyond the concept of traditional Qipao design. This would be achieved using the expressive technique of human liberation from the oppression of the unconscious world a supported by surrealism. Using existing literature and previous research, surrealist expression technique used in fashion were investigated and analyzed. The results are as follows. First, the possibility of new and original design beyond existing surrealistic Qipao design was demonstrated through various realistic surrealism expression techniques, such as dépaysement, objet, and trompe-l’oeil techniques. This occurred by exploring various unconscious world out of fixed ideas and through expression techniques of surrealistic fashion such as imagery of body parts, metaphorical expression of objects, and position deformation and illusion. Second, Qipao design that combined objet and attempted ordinary escape by combining isolated body parts (such as hands, eyes, and lips) within the composition combine with surrealistic expression enabled various and fun surrealistic fashion designs to emerge. Third, the metaphor of surreal lips and eyes (mainly used in works of this study) presented a unique and extraordinary combination of images in accessories and partial design that used the dépaysement technique. Thus, it was possible to expand surrealistic expression by including LED wire.

The purpose of this study is to provide ideas for the development of bag design by analyzing the expression types and aesthetic formativeness of modern bag design using tassels and fringe given the newtro trend pursuing analog sensitivity in modern society. The methods and scope of this study are as follows. First, the related literature and internet data were reviewed in order to examine the expression types and characteristics of the bags of the West and East. Next, the definition and characteristics of tassel and fringe decoration in terms of the history of clothing were analyzed. Finally, the expression types and aesthetic formativeness of tassels and fringe were derived through the analysis of modern bag design shown in the fashion collections since 2010. The bags decorated with the tassels and fringe bring a variety of visual effects depending on the attachment position, direction and material composition, concentrating the gaze and radiating original style. In this study, the expression of tassels and fringe in modern bag design was classified into three types: surface decoration, shape variability, and object combination. Next, the aesthetic formativeness of modern bag design using tassels and fringe as decorative elements appeared through the mixture of heterogeneous materials and playfulness through imagination, exaggeration through extension of length and volume, and retro characteristics through reinterpretation of tradition. This study is expected to contribute to creative ideas of modern bag design which requires a global sense, which has been used in various cultures for a long time.

The purpose of this study is to understand the concept of a sexual image and verify the method of its design expression through case studies of the sexual image evening dress shown in an Haute Couture Collection over the last 10 years (2005~2014). The results of analysis are as follows: First, “expression by the seeing through of the natural body” expressed a natural sexual image that combined fashion of the previous times with the beauty of the natural body by using a see-through material and classic or ethnic image. Second, “expression of a sexual-image look that emphasizes romantic detail” illustrated a romantic sexual image that emphasizes feminine sensitivity by mixing various ornamental elements such as see-through material and symbolism of underwear image. Third, “creation of a nude look using skin color” expressed sexual image of an evening dress by inducing erotic sexual association through a combination of opaque material of skin color and design shape that is intended for body exposure. Fourth, “combination of sexual symbol and heterogeneous elements” expressed a decadent, avant-garde and futuristic sexual images by using women’s underwear and a sexual symbol as design motif and mixed with mismatching elements. Fifth, “use of a fantastic black image” expressed an exclusive and refined sexual image and a decadent and primitive sexual image by using a fantastic image of black color. The results of this study are expected to be used for the design process of the eveningdress industry that aims for quality improvement.

The purpose of this study is to develop a design as a high value-added exportable industrial product by developing a cultural product, that can be accepted as having universal beauty by people in the Western cultural area. This is done by, re-analyzing it from a modern perspective after applying the color representation, used in pop art, to Shin Saimdang’s Chochungdo (草蟲圖, insects on flowers) which clearly expresses Korea’s national emotion and aesthetic consciousness. The research method depends upon developing cultural products such as scarfs, neckties, handkerchiefs, and folding fans, which are communicated in the global market The expressive technique of pop art is utilized after reconstructing the color sensation of pop art in the aesthetic dimension of the natural, physical, and formative beauty of Chochungdo based on the whole understanding of our country’s genre of Chochungdo and Western pop art. With regard to the colors in the developed design, the basic colors were extracted and applied by selecting 10 pieces in the flower series, which were made with the silkscreen printmaking technique in the 1970s by Andy Warhol, a master in pop art. A work that integrates pop art, a global art trend, with Korean traditional culture is expected to highlight Korean traditional culture in the global cultural era.

The structural aesthetics of architecture are becoming an inspirational source for many fashion designers and have been reborn in structural fashion. This study planned to analyze the method of expression of structural aesthetics expressed in modern structural fashion design and the construction method to maximize such an effect on the basis of the construction characteristic of Santiago Calatrava as the representative architect of the structural aesthetic. According to the study, the structural aesthetics expressed in modern structural fashion design are as follows: 1) The symbolical formative aesthetic expressed by symbolical inference and analyzation; 2) the dynamic beauty of physic expressed by visual emphasis and dynamics; and 3) the asymmetric beauty of symmetry expressed by metastasis toward the boundary between balance and imbalance. In addition, to maximize structural aesthetics, we used repetition and a progressive technique based on rhythm, asymmetry, and incision-based variances, such as balance, polygon flux, and inference, and analyzation-based distortion as the structuring principle. The following expression methods for maximizing structural aesthetics were found: 1) symbolical and structural exaggeration of appearance; 2) detail technique expansion and material property diversification; and 3) the three-dimensional transformation of structure and shell expression. Structural fashion design was found to have maximized structural aesthetics by using such expression methods to secure artistic esthetics, destroy existing shapes and patterns, and create unique shapes.

로봇과 인간의 상호작용에서 언어에 의한 정보 전달은 상호작용의 한계가 있으므로, 더욱 원활하고 효율적인 의사소통과 나아가 로봇의 감정 표현까지 구현하기 위해서는 비언어적 커뮤니케이션이 필요하다. 본 연구에서는 쇼핑을 지원하는 로봇을 전제로 하여 쇼핑 행태에 따른 7가지 비언어적 정보를 도출하였다. 도출된 비언어적 정보의 요소로서 표정을 선정하고, 2D 분석을 통하여 얼굴 구성요소를 코드화 하였다. 얼굴 구성요소의 코드를 조합한 3D 애니메이션을 이용하여 비언어적 정보의 표현에 대한 유의성을 분석하였 다. 분석 결과, 제안된 비언어적 정보의 표현 방법은 높은 수준의 유의성을 보여 비언어적 정보 연구의 기초자료 로서 활용 가능성이 확인되었다. 다만, '당황'의 경우 코드화된 얼굴 구성 요소의 모양 적용에 한계가 있으며 보 다 체계적 연구가 요구된다.

This study researched the symbolic meaning of the costume colors in the independent film <Bittersweet Life>. The purpose of the study is to shed light on the relation between a film and the clothing color by exploring the symbolic meaning of costume colors as based on place images and as reflected in characters’ internal psychological states and situations. The conclusions of this study are as follows. First, the colors primarily presented were neutral shades of black and white or dark, almost-black tones, representing the negative narrative structure and depicting the image of a human being. Second, a series of bright blue shades were presented to reflect the positive narrative structure of a human being returning successfully to reality. Third, the application of color, involving both the psychological aspect as well as the symbolism of color, was effectively delivered to the audience. Fourth, the emphasis on color in the smallest details of costumes was analyzed, and it was found that symbolic color effectively communicated the whole image of transformation as the story progressed, clearly delivered delicate emotional messages, and contained symbolism relating to particular places and situations.

Interest and desire for analogue emotion increased with the dazzling development of digital technology. Especially, as analogue emotion got grafted in the design field, analysis through various expression media is being done. This study seeks to propose design of t-shirt using unique advantage of Hangeul calligraphy that can satisfy the modern flow and pattern design's various expressions. Calligraphy is being used in various fields such as advert, package, logo, movie poster, signboard, graphic design, calligraphy and abstract painting. Formative yet effective in readability and conveying meaning as it's expressed in letters, calligraphy is a field of attention with its contribution in extending the new design area. As a method of the study, altogether 8 pieces of t-shirts were proposed through related preceding research, literary research, co-work with calligraphy author, computer graphic program, and heat transfer. As such, the t-shirt designs which were created by suggesting various design and using traditional materials like calligraphy, can be used as novel and sensual factor, where one can get a glimpse at the potential of development as traditional fashion product.

The purpose for this paper is to categorize and analyze the aesthetic characteristics of graphic factors in contemporary fashion design by media source. Focused on play-instinct visual expression in contemporary fashion design and adopted media source following the way of communication design. A variety of literatures and online sites for graphic factors in contemporary fashion was studied. The standard of media source is classified as graphic media-source: photography media-source, typography media-source, illustration media-source. With this standard, expressed ways are as followings. First, graphic media-source in play-instinct expressional fashion design is mostly borrowing existed character or using designer’s brand logo. Second, photography media-source in play-instinct expressional fashion design is placed photograph of social issued people in front of shirt. Third, typography media-source in play-instinct expressional contemporary fashion design is mostly expressed social messages or designer’s name in brand. Fourth, illustration media-source is the best way to express play-instinct visual expression. Based on these, aesthetic characteristics of graphic factor in contemporary fashion by media source are classified as three: social words, playfulness and information transference. Frequency ratio using media source per aesthetic characteristics is different and these are able to categorize expression way and image feature. In conclusion, expressional way of graphic factors in contemporary fashion design became diverse as social and cultural changing. Frequency of graphic factor use in contemporary fashion is increased than before. This paper suggested that fashion design is one of the way of communicating with people and should be analyzed graphic factors in contemporary fashion design.

본 논문은 감성 캐릭터라 불리는 3차원 모델을 모바일 게임 콘텐츠에 삽입하여, 사용자의 감성 상태에 따라 게임 환경 및 감성 캐릭터의 시청각적 요소를 능동적으로 변화시키는 3차원 그래픽 콘텐츠 개발을 위한 iOS 기반 프레임워크 기술에 관해 설명한다. 본 프레임워크에서는 사용자의 생체 신호를 분석하여 9가지의 감성 상태로 분류한 후에 그에 따라 감성 캐릭터를 변화시킬 수 있도록 한다. 이 기술은 감성 모바일 콘텐츠의 개발과 콘텐츠의 시청각적 요소의 변화가 사용자 감성에 미치는 영향을 분석하는 연구 등에 활용될 수 있다. 본문에서는 개발된 프레임워크 기술의 설계 및 구현 내용과 이를 기반으로 구현된 모바일 감성 콘텐츠와 두 개의 게임에 대해서 설명한다.

The current study aims to link Korean tradition to modern culture; to re-produce patterns of lotus depicted in Minwha, The study also aims to discover the beauty of Korean tradition and to modernize it. The current study is based upon document searches(including research papers) and the Internet searches. Through these searches, it investigates the concept of Minhwa, the origin of lotus depiction and its symbolic meanings, the traits of such pattern. Based upon this investigation, the study attempts to modernize the patterns of lotus and apply the modernized patterns to designing shirts. The process which employs the lotus patterns illustrated in Minhwa to shirt design includes four sub-processes: selecting, allocating, coloring, and selecting production techniques. The subprocess of selecting patterns is two folded: the first stage covers carbon-copying the distinctive features of lotus, lotus leaf, lotus bud, lotus pip, and lotus stem; the second stage is making these features suitable to shirt sizes. For the process of coloring those shirts, Piccaso’s work(Pablo Picasso, 1881～1973) has been selected and the colors in his work have been adopted to dye the rest of the shirts as well as the lotus features. The process of selecting production techniques includes ornament tail in order to modernize the patterns allocated in the shirts. Once these processes are completed, the shirts are made on a scale of real-life size. These processes of creating shirt design by modernizing traditional patterns will hopefully contribute to researchers expanding the domain of shirt design.

일러스트레이션은 예술과 디자인의 중립 된 영역으로, 조형적인 아름다움을 통해 소비자의 감정을 자극함과 동시에 전달하고자 하는 메시지를 시각적으로 명확하게 전달하는 인지적 기능을 갖추고 있다. 과거의 일러스트레이션은 글을 꾸며주기 위한 삽화의 개념으로 적용되어왔으나 대중매체의 발달로 인해 현재 일러스트레이션은 적용되는 범위의 확장과 더불어 표현 유형 또한 다양화되었다. 일러스트레이션의 표현 양식 또한 메시지를 있는 그대로 재현하는 재현주의적 양식에서 나아가 작가의 주관이 내포된 표현주의적 양식으로 확장되었다. 이는 목적에 따라 다양한 수사적 표현을 통해 메시지를 전달하고 있으며 작품의 수사적 표현을 통하여 소비자와의 합리적인 커뮤니케이션이 이루어진다면 보다 작품의 의미를 풍성하게 전달하고 일러스트레이션의 예술성과 기능성을 동시에 나타낼 수 있을 것이다. 이에 본 연구는 메시지가 명확한 광고 일러스트레이션을 범위로 한정하여 국내에서 가장 일반적으로 적용되는 수사학의 삼분법을 광고 일러스트레이션에 적용하고 작품을 해석하였다. 또한 소비자 설문을 시행하여 각 수사 기법의 분류에 따른 일러스트레이션의 소비자 반응과 평가를 분석하였다. 분석된 결과 값을 통해 일러스트레이션이 적용되는 광고의 내용과 그 목적에 따라 각 수사 기법이 달리 적용된다면 보다 효과적인 커뮤니케이션이 이루어질 것이라 판단하며 나아가 일러스트레이션의 장르적 발전에 도움이 되고자 한다.

순국 109주년, 의거 110주년을 맞이하는 민족의 영웅 안중근 의사의 애국정신을 기리고 민족에 대한 자긍심 고취 및 작품을 통한 소통과 공감을 불러일으키기에 안중근 포스터 전시는 매우 중요한 역할을 담당한다. 또한 안중근이라는 주제로 그 의미를 각자의 표현방식으로 제작한 포스터에 내포된 함의를 도출하고 유용한 시사점을 제시하고자 하였다. 본 연구는 안중근과 아시아의 평화라는 주제로 진행된 전국 디자인 공모전이 올해로 4회째를 맞이하여 지난 3년간 수상작 포스터 495 편에 나타난 상징적 표현유형(메인/서브 비주얼 상징요소 및 표현유형, 메인/서브 카피 상징요소 및 표현유형, 컬러유형)을 내용분석 방법을 활용하여 분석하고 연도별 변화추이를 살펴보았다. 분석결과, 첫째, 비주얼 상징요소 및 표현유형에서는 손과 안중근 이미지 즉 인물로서의 상징성을 강조한 작품이 많은 것으로 나타났다. 또한 이러한 상징요소를 포토그래피적 표현으로 사용한 비율이 매우 높은 것으로 나타났으나 시간이 흐를수록 일러스트레이션 표현도 점차 증가하는 것으로 나타났다. 둘째, 카피 상징요소 및 표현유형에서 카피 없이 비주얼 표현으로만 완성된 작품이 많은 것으로 나타났으며, 그 다음으로는 평화, 안중근(安重根) 순으로 많이 사용한 것으로 나타났다. 이들 카피는 명조형의 가로방향이 가장 많은 것으로 나타났는데 점차적으로 세로방향의 포스터가 증가하는 변화양상이었다. 마지막으로 컬러유형은 검정색, 흰색의 무채색 계열이 가장 높은 비율로 나타났다. 본 연구의 결론에는 연구결과의 요약 및 논의 그리고 본 연구의 한계점과 후속 연구에 대한 제언을 하였다.

2000년대 이후의 한국영화산업은 동 시대의 사회적 문화적 현상과 시대적 상황, 그리고 디자인 경향을 모두 경험 할 수 있는 대중 매체라 볼 수 있다. 이로 인해 단일 영화관객 수가 천만 영화의 탄생이 일상화된 지금 2017년 우리나라 총 영화 관객수는 2억 1,987만 명으로 전년 대비 1.3% 증가했다. 본 연구는 국내 영화제작사의 리더 필름에 관한 연구로, 역대 국내에서 개봉한 천만관객을 달성한 15개의 상업 영화 제작사의 리더 필름 영상을 대상으로 영상디자인 표현에 대해 살펴보았다. 영화 리더 필름의 특성을 반영하여 구성요소인, 이미지, 애니메이션형식, 사운드의 속도, 사운드의 형식, 브랜드 로고의 서체와 표현 형식, 영상의 길이로 구분하여 리더 필름 영상의 흥미도에 관해 분석하였다. 사례분석 결과 이미지의 경우 실사이미지와 그래픽이미지를 함께 사용하였을 경우 흥미도가 가장 높았으며, 애니메이션(2D+3D에니메이션), 사운드의 속도(빠르고 역동적인 /보통속도의 균일적인 사운드), 사운드의 형식(효과음+배경음), 브랜드로고(로고체와 고딕계열), 영상의 길이(16초~20초)가 가장 흥미도가 높게 나왔다. 본 연구의 결론에는 연구결과의 요약과 시사점 그리고 본 연구의 한계점을 논의하고 향후연구에 대한 제언을 하였다.

캐릭터는 생략, 과장을 통한 인간적이고 감성적인 표현과 소비자에서 식상함을 해소하게 하는 독창적이고 차별화된 콘텐츠 중 하나이다. 최근에는 스마트기기의 메신저가 보편화되면서 디지털화 된 캐릭터가 큰 인기를 끌고 있다. 이중 대표적인 디지털 캐릭터가 이모티콘이다. 이모티콘이란 다양한 구성원들에 의한 커뮤니티 공간에서 알파벳이랑 문자 외에 소통을 위한 수단의 이미지를 말한다. 현대인이 이러한 이모티콘을 선호하는 이유는 보다 감성적인 표현이 가능하고 친근함을 표현할 수 있는 수단이기 때문이다. 국내에서 사용되고 있는 대표적인 이모티콘 중 하나가 카카오프렌즈와 라인프렌즈이다. 이러한 메신저 이모티콘은 해마다 판매가 증가하고 있으며 국내 뿐 만아니라 해외에서도 많은 인기를 끌고 있다. 이와 더불어 온라인 뿐 만아니라 오프라인 시장에서도 꾸준하게 판매가 증가하고 있다. 이에 본 논문은 개인 간의 효과적인 커뮤니케이션을 위해 이모티콘 캐릭터가 지닌 표현유형 별 선호도를 조사하고자 한다. 표현유형은 표현방법과 표현소재로 나누어 이모티콘 캐릭터를 조사하고자 한다. 그 결과 선호도가 높은 캐릭터는 동물을 소재로 하는 경우가 비율이 높았으며, 복숭아나 단무지처럼 의인화된 상품의 선호도가 그 다음으로 높게 나타났다. 하지만 사실적 인물와 과장된 동물은 낮은 비율을 보였는데 이는 인물이 주는 귀여움과 행동의 한계를 보여주기 때문이며 동물의 경우 너무 과장되게 하는 것도 선호도를 떨어뜨리는 요소임을 알 수 있다. 본 논문으로 인해 제시된 결과가 한국의 이모티콘 캐릭터 시장을 활성화시키는데 큰 도움이 되었으면 한다.