해양보호구역 일부 지역을 포함하고 있는 서천 유부도 해안과 순천만 그리고 다도해해상국립공원 여수 안도 등에 해양쓰레기가 다량 표착하고 있다. 이곳에 표착해 있는 해양쓰레기는 해류와 바람 및 조류 등의 영향으로 유입되고 있는 것으로 조사되었다. 연구지역 중 유부도는 서해로 흐르는 금강하구에 위치하고 있으며, 계절별 희귀철새들이 대규모로 날아오는 국내최대 철새도래지다. 이곳에 폐그물과 낚싯줄 같은 플라스틱류가 다량 표착해있었다.

Ecological restoration is regarded as a major strategy for preventing biodiversity loss and thereby enhancing ecosystem service. This study was performed to evaluate ecosystem service value that the restored ecosystem provides. Ecosystem service was evaluated for provisioning and regulating services. The former service was evaluated by comparing similarities in a viewpoint of floristic composition to the reference site between the restored and the unrestored sites. Species composition of the restored site was found to be more similar to the reference site than that of the unrestored site and thereby restoration practice contributed for enhancing the provisioning service. Regulating service was evaluated based on microclimate control, soil amelioration, and improvement of water holding capacity. The value of ecosystem services in terms of microclimate control, soil amelioration, and improvement of water holding capacity was higher in the restored site than in the unrestored site. In consequence, ecological restoration of coal mine spoils contributed for enhancing the ecosystem service value of the corresponding site and thereby is rewarding the cost invested for restoration.

다도해상국립공원 지역인 상조도 해안에 해양쓰레기가 다량 표착하고 있다. 이들 해양쓰레기는 해류와 조류 및 바람 등 외부의 영향으로 유입되고 있는데, 이 중 외국기인 해양쓰레기가 상당량 유입되고 있는 것으로 나타나 이들의 기원 특성을 파악하고자 연구를 시작하였다. 선행연구결과 진도 연안으로 유입되고 있는 외국기인 해양쓰레기는 동계와 하계 모두 표착하고 있는 것으로 알려져 있다.

2008년 제1차 해양쓰레기 관리기본계획이 수립된 이후, 해양쓰레기 발생을 억제하기 위한 정책은 어느 정도 성과를 나타냈으나, 해양쓰레기의 과학적 조사, 해양쓰레기 대응센터, 부처간 협력 등 관리기반 측면에서는 문제점을 나타냈다. 해양쓰레기가 하천을 통해 지속적으로 유입되고 있다는 점에서 부처간 협업적 거버넌스와 안정적 재원확보는 중요한 정책적 과제이다. 본 발표에서는 우리나라 해양쓰레기 관련 관리기반 현황을 살펴보고, 거버넌스 및 재원을 중심으로..

In this paper, the expert system to reduce the amount of food waste is proposed. The method of material flow analysis (MFA) is applied. Proper handling of waste beyond the terms of the need for proactive research been mentioned before, but actually cause the waste generator research focuses on consumer behavior and the business community to analyze the flow of materials within the study are insufficient . In this paper, the type of food consumption and food waste, look at the relationship between the occurrence of secondary schools in the diet is provided for students to examine the preferences of the target model diet expert system was reconfigured . Preference for leaving the food in the diet leads to the important information that is Each diet recipes that make up the target material flow analysis (MFA) was constructed to perform all the database . This database is currently being generated from the rain while cooking diet edible plants and materials to reflect the self-esteem following the recommended diet is used to create . Reducing food waste is actually being used currently in research knowledge to the knowledge base was constructed . Future Home Smart System was developed in conjunction with the system to the user , by providing guidelines for the utilization can be expected.

This paper delves into the recent 'paintings' of African-American artist David Hammons, which combine rubbish-like plastic wraps with the abstract-expressionist style paintings. In straddling between rubbish and art object, his works tend to blur the boundary drawn between two opposite categories in value, art and garbage, provoking the sophisticated taste of Upper-East-side white community in Manhattan, New York. Choosing the venue of his exhibition at a commercial gallery, Hammons's creative efforts is also a critique of what can be seen as the dominance of abstract expressionism and white elitism in American art history. The artist is known for his use of unconventional materials in art making such as black hair, barbecue bones, and elephant droppings, ones that are often associated with African-American experiences in all different levels. Since his debut in the art scene in the 1970s, Hammons has pursued the view of art-making as a medium for provoking contentious issues of racial relations in the States. On the other hand, the reception of Hammons's work as African-American art can be potentially quite limiting, overlooking as it does multi-faceted meanings of his art practice. His unconventional approach to art often took him outside art galleries and museums, where he was seen using a variety of common materials for site-specific installations and performances. Staged in different parts of Manhattan, these acts of art making traverse seemingly opposite communities and cultures, often blurring their boundaries. Hammons's artistic practice can label him what Abdul Jan Mohamed calls "specular border intellectual", revealing as it does the symbiosis of binary oppositions that is basic to the experience of communnal living.