김혜순의 시론집『여성이 글을 쓴다는 것은』은 ‘여성성’과 ‘시작(詩作)’의 관계를 본격적이고 심층적으로 탐색한 저작이다. 여성성은 인간성의 반쪽이 아니라 근본적인 차원이다. 김혜순은 여성성을 부정하는 방식을 부정하면서, 여성성을 글쓰기의 근본적이고 심층적인 차원에서 드러내고 또한 미학적인 원리로 내세운다 김혜순이 사유하는 여성성의 핵심적인 자질은 생성의 능력이라 하겠다. 시적 주체의 엔트로피와 운동성은 여기에서 나온다. 김혜순이 시쓰기에 ‘바리데기’를 호명했던 이유 또한 여기에서 찾을 수 있었다. ‘바리데기-되기’, ‘어머니-되기’는 은폐된 타자들을 해방시키고 활성화하는, 이를테면 타자들을 낳는 ‘자궁-되기’와 같은 것이었다. 김혜순에게 삶과 죽음, 현실과 환상, 나와 타자, 주체와 세계는 안과 밖의 이원론적 구조가 아니라 표면과 심층의 일원론적 관계 속에서 개시된다. 이를 ‘외부의 내재성’, ‘초월의 내재성’ 같은 말로 표현해 볼 수 있다. 내가 내 바깥의 타자들을 포획하고 규정하는 방식의 동일시가 아니라, 어머니가 아이를 생산하듯이 내 안에서 타자들을 출산하고 폭발시키면서 ‘나’를 바꾸는 방식으로 ‘시-하기’는 이루어진다. 이러한 ‘시-하기’는 내 안에서 숨겨진 ‘어머니’를 찾는 것이면서 ‘어머니’를 거꾸로 출산하는 것이기도 하다. 김혜순은 자아 중심의 기존 시학을 부정하면서 타자성의 시학을 제출한다. 그녀에게 ‘시-하기’는 ‘자아 지우기’이며 고체의 몸을 유동적인 액체의 형질로 바꾸는 사건들이라고 할 수 있다. 그녀의 시론에서 떠오르는 것은 타자에 대한 시선의 문제가 아니라 타자를 낳고 경험하는 몸의 사건, 즉 자아와 타자가 접촉하고 섞이는 사건이다. 시의 장르적 원리로 간주되어 왔던 ‘세계의 자아화’라는 정의에 대하여 김혜순이 강력하게 수정을 요구할 때, 아니 이러한 시론의 요구 이전에 이미 ‘시-하기’는 이 관습적인 울타리에 갇히지 않고 ‘세계와 자아가 함께 동참한 소용돌이’, 나와 타자의 접촉 속에서 자유를 실천해왔다고 할 수 있을것이다.

본 연구는 20대 남여를 중심으로 수도권 백화점의 이용행태를 파악하고, 쇼핑행태에 영향을 주는 고객동선으로 에스컬레이터 이용방법 및 선호에 대하여 조사하고자 한다. 이러한 실내 동선을 유도하는 수직 동선의 디자인은 백화점 매출이나 운영 방식 등에 활용되며 많은 도움이 될 것을 기대한다. 조사결과는 다음과 같다. 20대 남성고객의 경우 백화점을 이용하는 이유는 집과 가깝기 때문이며, 교통편은 버스를 이용하고 가장 많이 구매하는 매장은 남성의류이며, 백화점을 쇼핑하는 행태는 주로 쇼핑할 매장이 있는 층을 바로 찾아가는 것으로 조사되었다. 쇼핑시간은 1시간에서 2시간으로 가장 많았고, 에스컬레이터를 주로 이용하며, 현재 주로 사용하는 반대방향 에스컬레이터지만 여기에 불편함을 느끼고 양쪽방향의 에스컬레이터를 선호하는 것으로 나타났다. 20대 여성고객의 경우 이용하는 이유는 집과 가깝다와 쇼핑하기가 편한 것이며, 교통편은 지하철을 이용을 하며 여성의류매장이 주소비매장이다. 여성의 쇼핑행태는 쇼핑을 즐기는 이유로 인해 1층부터 차례대로 한 층씩 둘러보는 경향으로 나타났으며, 자주 이용하는 에스컬레이터는 현재 상태인 한쪽방향에스컬레이터를 이용했으나. 남성과 마찬가지로 그에 불편함을 느껴 양쪽방향의 에스컬레이터를 선호하는 것으로 나타났다. 따라서 남성과 여성의 소비행태는 남성의 경우 주된 타겟형 소비이며 여성의 경우 주된 목표가 있더라도 일단 전반적인 매장 디스플레이를 돌아보는 경향이 높은 것으로 나타났으며 주로 쇼핑은 에스컬레이터를 이용하지만 양방향 에스컬레이터에 대한 선호가 높은 것으로 나타났다. 앞으로 더욱 대형화되고 이벤트화 되는 백화점 실내공간이 예상되므로 이에 대한 입체적 디자인 개념과 프로그램의 적용 그리고 휴식공간 및 문화공간에 대한 연구가 후속되어야 할 것으로 보인다.

This study tried to identify the job stress characteristics of female bank workers and the relationship between their stress and symptoms associated with musculoskeletal disorders(MSDs). The total number of 587 female bank tellers have been participated in this study. Specifically, questionnaire surveys regarding job stress and MSDs symptoms were conducted. On the basis of the results from the survey using Korean version of job stress questionnaire with 24 questions, stress scores associated with job requirement and job flexibility were relatively high. The job stress levels regarding job demand, organizational system, occupational climate at the work place were relatively high for the full time workers while the job stress levels regarding insufficient job control, job stability, interpersonal conflict, lack of reward were relatively high for the part time worker. The workers with longer total work years had relatively high job stress associated with interpersonal conflict, and organizational system while the workers with longer work years at the current job had relatively high job stress associated with occupational climate. Also, the workers with longer working hours a day had relatively high job stress associated with job demand, interpersonal conflict, organizational system, and occupational climate. According to the relationship identified in this study, symptoms at the neck, shoulder, hand, low back. leg were associated with the stress levels in terms of job flexibility, interpersonal conflict, job requirement, job stability. In conclusion, female bank workers are exposed to job stress due to their specific job characteristics and there has been certain relationships between their job stress and MSDs symptoms.

This article explores Yeats's “A Woman Young and Old.” All the poems in the series “A Woman Young and Old" were written between 1926 and 1929. During this time Yeats was lamenting the vulgarity of hegemonic Irish culture. This series poems described feminine sexuality in the social and cultural repression of women. The sequence of eleven poems deal with the problems of female body and desire in a repressive society. In these poems Yeats insisted on the beauty or importance of feminine sexuality and sexual desire. “A Woman Young and Old” takes up Yeats's metaphysical questions - eternal beauty, the relationship between body and soul, the interdependence of sexual love and spiritual hate. Feminine sexuality is the mark of the rebellion against conventional social and cultural frame. Yeats's female personae embody a sacred sexuality and Yeats's sexual frankness close to a sexual mysticism. Feminine sexuality and desiring female bodies are defiantly asserted, and asserted specifically as transgressions, because they are precisely what is forbidden. In this series poems the female body and desire is expressed in Yeats's criticism of the repressive sexual morality and culture of the Irish society, especially the Catholic Church. Linking of feminine sexuality and the sacred indicates Yeats's critique of Catholic Irishness. The speakers of the female sequence are embattled with a social and symbolic order that seeks to confine them. Yeats described sexual freedom and defiance against the authority and opposition in patriarchal society. Yeats's increasingly explicit emphasis on feminine sexuality and sexual desire at that time. Whereas Irish Catholicism viewed the desires of the body as threats to the soul, for Yeats the two were interdependent. Yeats insisted that “the love of man and woman, and inseparable physical desire, are sacred”(UPII, 451). This article tries to show how Yeats's of awareness of feminine sexuality is linked with a sexual mysticism and the sacred. Yeats connected women's body and desire with a sexual mysticism and the sacred in such a bold and defiant way.

여성의 사회적 참여와 경제적 지위가 높아지면서 소비 주체이자 유행을 선도하는 트렌드 창조자로서 '여성'이 부상하고 있다. 즉, 이제는 '여성'을 제품개발의 한 축으로 인식하고, 여성적 감성을 담아 낼 수 있는 제품 개발과 전략이 필요한 시점이다. 본 연구에서는 최근 디지털 제품을 중심으로 부각되고 있는 '여성성'을 사회·문화적·경제·마케팅적 측면에서 그 배경을 살펴보고, 개발사례를 중심으로 여성적 디자인의 특징을 분석하였다. 또한 실제 제품개발과 연계하여 여성소비자의 소비성향 및 라이프스타일, 선호 제품스타일 등을 분석하였으며, 이를 반영하여 여성층을 겨냥한 감성오디오를 개발하였다. 궁극적으로 여성 지향적 제품개발의 필요성을 제기하고, 여성적 감성을 반영하기 위한 제품디자인 방향에 대하여 연구하였다.

This study seeks to classify the skin types and determined the relation between the dietary habit and preference of foods targeting college women in Daegu and Gyeong-Buk Province. Skin types of the subjects were 31% of combination skin, 25% of dry skin and 22% of normal, oily skin. College women mostly had two meals a day, and those who had less frequent meals developed more combination skin. Many of them did not exercise, and women with normal skin who did not exercise showed the lowest at 13.9%, supporting the significance (p<.05). It was exposed that don't have breakfast and have irregular meal and don't have easy meal in all skin types. Instant foods was exposed that ingested the most in dry skin and the least in oily skin, supporting the significance(p<.05) and fruit or vegetable ingested much in dry skin. It was exposed that considered atmosphere at meal and meal helps in health in all skin types, normal skin type considered balanced diets the most and supporting the significance(p<.01) Food preference in all skin types showed the strongest in drinks and showed strong in greenish yellow vegetables, fruits, confectioneries, drinks, milk and dairy goods. On the other hand, it showed low in nuts and salted fishes. In sum, regular and balanced meals give the skin a healthy status, and intake of protein, vitamins and minerals has impact on the skin status. Thus, sufficient quality nutrition is crucial in staying a healthy skin.

여성범죄자 고유의 특성과 욕구, 강점, 및 문제점에 기인하여 기존 남성중심의 교정처우와는 다른 성별 중심의 교정 프로그램 개발이 필요하다. 여성과 남성의 차이점을 학습과정, 관계형성 방식, 범죄경로, 생활여건 측면에서 비교하면 여성범죄자를 위한 성-적합 교정 프로그램은 특히 타인 및 가족과의 관계형성이 지속적으로 유지되는 지역사회 교정 측면에서 더욱 중요하다 하겠다. 본 논문은 지역사회에서 보호관찰을 받고 있는 여성범죄자 149명의 특성을 분석하여 이들에 대한 성-적합 교정모형을 위한 기본원리를 제시하려는 의도로 진행되었다. 전체 여성범죄자를 10대 청소년집단과 사기ㆍ횡령집단, 폭력집단, 절도집단 네 그룹으로 구분하여 프로파일한 결과 연령과 범죄유형에 따라 가출, 약물, 흡연, 거주지, 경제상황 등의 변수가 집단에 따라 서로 다른 것으로 나타났다. 성-적합 교정모형 개발은 기본이념과 안전성(safety), 관계성(connection), 강점(empowerment)을 강조하는 환경여건, 그리고 인지ㆍ정서ㆍ행동 변화를 필요로 하는 운영기준, 성-적합 교정모형에 적합한 개별 평가 항목이 요구되는 것으로 나타났다. 일반화된 성-적합 교정모형원리에 근거하여 지역사회 교정 분야는 물론 향후 수강명령과 사회봉사명령과 같은 세부집행 프로그램에서도 다양한 성-적합 교정 프로그램이 지속적으로 개발, 평가, 연구되어야 할 것이다.

Yeats suffered greatly from the love affair with Maud Gonne but particularly from the contradiction that she manifested. The poet devoted his love and poems to her in vain. But the contradiction is not peculiar or unique problems to Yeats but all men in Western patriarchal tradition. Indeed women for men are figuring simultaneously as madonna and whore, angel and beast. Because the woman has the power to provoke the tumult of desire in man and to gain over him through the desire, the men is afraid of being weaken by her, infected with her feminity and of then showing himself incapable or castrated. The fact that woman from a phallocentric viewpoint appears to be castrated is as reassuring for men as it is alarming. On the one hand, he projects her as lack and sees himself completed in her, thus confirming male hegemony. On the other hand, the so-called castrated woman can reflect back to man a dangerous paradox: if she had been castrated, then his own possession of a penis was in danger by her. In order not to be a paralyzing threat, a woman must have phallic attributes and must become the phallic woman idealized beyond sexuality. The phallic woman is thus fantasized by the man as a defense against castration anxiety. Representation of the phallic woman, he believes, protects him against doubts about his masculinity. Making her like a man conserves the man’s narcissism. The ambiguous nature of the woman is well presented in Yeats’s “Presences.” Here Yeats categorizes the woman as archetypes “harlot,” “child,” and “queen.” And their seductive “rustle of lace or silken stuff” evokes a contradictory femaleness over which he has no rights and which can move rapidly from vulnerable to ruthless, even turning that very vulnerability into a disturbing power over him. In “A Bronze Head,” the woman representative of Maud Gonne remains mysterious and inaccessible, overflowing the ‘images’ and ‘forms’ in which he tries to capture her. In “No Second Troy,” Yeats blames Maud Gonne for her violent political action, perhaps because she cannot be desexualized, idealized, or fetishized fully as he wishes. One of the reasons that Yeats is desperate to prevent the woman from being involved in the politics is that for Yeats the ideal form of a woman would not allow for difference to infiltrate the idealized autonomy. In this sense Yeats prays for his daughter to be the woman with nature of mindless organic spontaneity and for her bridegroom to bring her to a house of custom and ceremony. The idealization of the woman as nature into civilization, however, will not entirely do because it inescapably exposed to the fearful power of death. As Freud argues in Civilization and its Discontents, Eros’s sublimation of the nature into civilization inevitably exhausts its power, which leaves it vulnerable to Thanatos that then threatens to destroy the social order one has so laboriously constructed. The dilemma of sublimation is well explicated in Yeats’s “Mediations in Time of Civil War“ where he perceives the conflict between insistent demands of death drive and the inhibitory requirements of civilization. “Leda and the Swan” shows that the phallic civilization is born together with the brute power of violence and destruction that is to threaten all the social orders. By desexualizing, idealizing, or sublimating the woman, the man may reduce the horror of castration. But his attempt is radically self-defeating and self-undoing, for the more he sublimates her, the more likely she becomes the destroyer of ideal orders. Because of this paradox, the woman remains ontological aphoria to Yeats.

To Yeats, as Mario Praz remarks in The Romantic Agony, sex was “the mainspring of works of imagination”(vx). This paper is an attempt to read Yeats’s “A Woman Young and Old” in terms of poetic representations of feminine sexuality and gender. All written in years 1929 through 1931, the sequence of eleven poems deal with the problems of female body and desire in a repressive patriarchal society. The first and introductory part of the paper briefly surveys the social and cultural background of the poems. The centrality of the subject of feminine sexuality and gender in these poems shows that Yeats saw the social and cultural repression of women and their sexual desire as one of the serious and urgent problems facing Ireland at that time. In Ireland of the 1920s, where the new national frame was being created under the hegemony of the Catholic Church and the middle class, the general attitude toward the women’s position and role and their sexual expression was very conservative and repressive. The main part of the paper closely reads the poems of the sequence, from “Father and Child” in which a daughter boldly asserts sexual freedom in defiance of her father’s opposition and criticism, to “From the ‘Antigone’” which shows another daughter defying the authority of king for the sake of filial love and the freedom of conscience. In reading the poems, this paper tries to show how Yeats’s awareness and affirmation of the female body and desire is expressed in his criticism of the repressive sexual morality and culture of the Irish society, especially the Catholic Church. In opposition to that sexually repressive and ascetic culture, he shows women’s body and sexual desire in such a bold and affirmative way that the poetic expression itself turns out to be an effective critique of that culture.