This study examines how the concept of gender fluidity—viewing gender identity as a fluid and wide spectrum—is represented in modern knit fashion collections. The period spring/summer 2017–fall/winter 2021, when gender-related fashion keywords started attracting attention, was limited to the last five years, and the results of a case analysis focused on a total of 357 knit fashion photos are as follows. First, the androgynous compromise through the mixing of heterogeneous elements appears as a mix-and-match style due to the patchwork of heterogeneous materials and forms that borrow or share masculinity and femininity. Second, it was confirmed that the dismantling exaggeration caused by the destruction of the size and form of clothes was an avant-garde image that exaggerated the size or length of clothes or destroyed ideas and forms. Third, the exposed sensuality caused by the deformation of the fluid knitting technique was shown in the form of proudly expressing sexuality by exposing the body either using the cut-out technique or through the loose texture of the knit. Knit fashion can highlight decorative effects using handcrafted techniques and express a detailed or coarse sense of organization depending on the density. In addition, since it is possible to create a complex image by juxtaposing and mixing various knit structures, it was confirmed that it is a suitable material for expressing gender fluidity flowing between men and women in fashion.

The study aims to analyze the mixed characteristics of knit fashion design as demonstrated in Sacai's collection, which promotes hybrid and mesh-up fusion and proposes various knit design ideas. Standards for categorizing mixed phenomena of Sacai’s knit design were established through a review of literature and data analysis. The study’s data collection period was from 2012 to 2021, and a total of 174 items were analyzed. The following are the results. First is the fusion of traditional knit and contemporary styles expressed through de-constructive design; traditional knit styles are combined with contemporary styles through color, material, and knitting structure mixtures, such as mixing Northern European Aran, Fair Isle, Nordic, and Ropy knit. Second, the Sakai knit design combines male and female styles by mixing materials and details. A deconstructed knit cardigan was matched with androcentric pin-striped shirts worn over layered shirring skirts embellished with chiffon and lace. Third, everyday street fashion style is blended with a formal, elegant fashion style. For example, the front view has a typical everyday appearance, whereas the back view contains florid and decorated details. The style is expressed as a 360-degrees appellation, with one thing in the front and another in the back. Sacai’s distinctive expressional characteristics include a mixed and de-constructive style characterized by unexpected design.

The purpose of this study is to analyze the characteristics and symbolism of peony, the traditional noble flower, create knit fashion designer applying the aesthetic beauty of flower, and suggest the various possibility of developing knit fashion design. As for the study method, the study conducted review on literature and previous studies to investigate on history, characteristics, symbolism of peony, and examined various expressive technique through previous studies about fashion design using flower images. To express characteristics of peony in three dimensions, the study investigated and reflected on crochet expressive technique to design 4 women’s knitwear. The results are as below. First, as shape of peony is big, voluminous, fancy and noble, it symbolizes wealth and beauty. Including red which is the generally known color of peony, there are yellow, white, pink, purple, green, blue, black, gray, white purple, white color. This study reflected characteristics and symbolism of peony and created knit fashion design applying abundant aesthetic characteristics of flower. Second, crochet method is advantageous as it is operable with thread and hooked crochet hook without time and space restriction, it can create unique fashion design. Crochet knitting on hand knit can diversity changes to express relief textures, and as there is no limit in size, it can be applied to small props to big pieces. This study suggested the various possibility of knit fashion design development and various expressive possibility on modern fashion design.

The purpose of this study is to classify and analyze the deconstruction phenomena expressed in contemporary knit fashion design, and to analyze the inner meaning of deconstruction based on certain characteristics. As a method of study, literature data for theoretical backgrounds, prior studies, and internet data were analyzed. The scope of this study was restricted to knitwear published in the world’s four major collections (Milan, Paris, New York and London) from 2014 F/W to 2018 S/S. Based on prior studies, four concepts of deconstruction were derived: “Différeance”, “Intertextuality”, “Intermeaning of Meaning”, “Dis․De Phenomenon”. The results of the study were as follows: first, “Différeance” refers to a transcendence of time and space. These expressions are discursive, unrealistic, and convey freedom through intent that deviates from rules and norms. Second, “Intertextuality” indicates a mixture of different texts, such as styles, materials, and items. These expressions deliver novelty with amusement, and can be entertaining depending on audience expectations. Third, “Intermeaning of Meaning” is accidental category - depending on how the wearer wears the clothing. -; accordingly, free and spontaneous creativity is an emerging trend in fashion. Fourth, the clothing was expressed in deformed and distorted form by the construction and destruction of the structure, a technique we describe as the “Dis․De Phenomenon”. In this concept, the sense of free design of young emotion appears along with the sense of purity and shock due to intentional inconsistency.

At the end of the twentieth century the decline of the domestic knitting craft was of paramount concern to the yarn companies and retailers that served this market sector. As demand reduced in the UK so did the number of specialist retailers. This was as detrimental to the yarn companies as it was to the craft. Research undertaken in 1999 by the author suggests that it is probably true to say that the knitting craft was at that point in time at its lowest point of popularity throughout the entire twentieth century. Throughout the twentieth century in the UK the popularity of crafts as domestic leisure pursuits fluctuated. Increased interest is reported to be primarily related to economic recession, where necessity is identified as being the greatest motivation for craft engagement; and craft engagement declines when the economy is more buoyant. There is evidence to support claims that the popularity of crafts in general experienced rise and fall throughout the 20th century correlating with times of austerity during economic downturns, thus suggesting that crafts were still largely taken up then as a necessity which could be contested. This paper reports briefly on the reasons behind the rise and fall of the hand knitting craft’s popularity throughout the last century in the UK before focusing on the latter decades in order to expose the factors related to the more serious decline of the craft in the 1990s. It discloses the perceptions of the craft at the end of the century and provides the foundation for the next stage of the research project which will involve an investigation of the craft in the early decades of the twentieth-first century. The paper draws predominantly on company and trade reports such as Keynote and Mintel and on previously unpublished survey materials from the late 1990s that were designed to explore the state of the hand knit craft at the close of the twentieth century.

본 연구에서는 직/편물 8종을 대상으로 이들 수직방향과 수평방향 수분이동특성 측정방법에 따른 소재들의 수분이동 특성을 분석하였다. 또한, 8종의 시편의 MMT에 의한 건조특성을 수직 건조 측정 결과와 비교하여 논의하였다. 수평 수분이동 방법인 MMT 시험 결과는 수직법인 바이렉 방법의 결과와 유사한 거동을 나타내었다. 대나무, 린넨 및 면/나일론 복합 소재는 드롭법의 흡수시간은 짧았으며, 표면의 낮은 접촉각 및 직물의 높은 다공성에 기인한 것으로 판단되며, 친수성 스테이플 섬유의 구조와 상관이 있을 것으로 보인다. MMT에 의한 건조특성은 니트 및 대나무 직물의 최대 흡수반경이 가장 우수했으며, 수식 건조법에 비해 차이를 나타내었다. MMT 방법의 건조속도는 직물의 두께와 포화수분 흡수율과 높은 상관성을 가졌으며, 회귀계수는 각각 0.9와 0.88이었다. 이는 직물의 두께가 얇을수록 위킹 및 건조특성이 우수하며, 기능성 소재기획시 착용 내구성을 판단하는데 중요함을 의미한다. 또한 상이한 섬유소재, 실 및 구조의 소재에 대한 수분이동특성(위킹, 건조)는 측정 방법에 따라 다른 결과를 나타내었다.

The purpose of this study is to create knit ruffles that represent the aesthetic and artistic values of painted works of art that rhythmically express flower petals and add an artistic impression on the knit ruffle designs. This study is based on the artistic life of Georgia O’Keeffe and changes in her artistic background, and the world of paintings. The relevant data was gathered from domestic and foreign references, academic journals, and the internet. The characteristics of Georgia O’Keeffe paintings were examined. Her paintings typically include a series of various motifs, symmetry, balance, and harmony of detailed realistic expressions and abstract elements, repetition, and the principles of contrast and emphasis in shaping. The decoration techniques used on fabrics were applied using the knitting machine which controls the tension to develop a variety of textures, apart from the previous standardized knit textures, through various knitting techniques. A gradation effect was then applied by piece-dyeing the knitted materials in various colors to express asimilarity to the original colors in O’Keeffe’s works with delicate color expressions. After the piece-dyeing, the decorative knitted materials were trimmed on a model to re-create the natural curves of flower petals. This study aims to converge works of art with fashion designs to develop various creative knitted fashion and to impart an artistic sense in the fashion design industry.

This study analyzed the design elements and fashion images of women's knitwear in collections of Paris, Milan, London and New York between 2003 and 2008, and examined knitwear trends in an effort to verify whether knitwear trends are repeated in certain cycles, whether they show complicated patterns in cycles and yet occur in quasi cycles, or whether they occur non-periodically in complicated forms of chaotic cycles. Trend cycle analysis results are deemed to identify the time series attribute of knit fashions. It also sought to categorize the attribute of various factors influencing knitwear trends with a view to determining relevancy between design elements, and to present the direction of predicting knitwear fashion trends and the progression of short-term knitwear trends. This study reached the following conclusion. According to design elements or fashion images, knitwear fashion trends occur in cycles, quasi cycles, non-periodical cycles. These cyclic characteristics can be used as scientific data for planning knitwear products. The study confirmed close relevancy between fashion images and fashion elements. It identified close relevancy between designs with similar fashion elements and images through coordinates by year and season, and it is possible to make short-term prediction of trend direction through the flow of coordinates. Time series data were insufficient, thereby making it difficult to perfectly verify chaos indices and giving limitations to this study. A study with more time series data will produce a more effective method of predicting and using knitwear fashion trends.

For this study, 18 kinds of cut and sew or seamless knitted test garment were made. Samples differed from each other by skirt angles(90°, 180°), gauges(7G, 12G, 15G), and grain directions(bias direction, wale direction, and radial direction). After measuring the mechanical properties of various gauges on the seamless knitting machine, I compared shape of the knitted flare skirt through subjective evaluation on appearances. The data analysis methods used in this study were descriptive statistics, one-way ANOVA, Duncan-test, correlation analysis, and regression analysis. The subjective evaluation on appearances of knitted flare skirts showed the following: In case of 90° skirt, the seamless skirt showed a much higher score in every gauge expect that of the cut and sew 12G, and silhouette of 15G wale direction. In case of the 180° skirt, the seamless type showed a much higher score in every item over the cut and sew expect the silhouette part of 7G wale direction.

The objective of this study is to develop naturalistic knit designs inspired by Yann Arthus-Bertrand’s works. For this purpose, we examined the present style of naturalism and history of naturalism though literature research, and then developed designs. The results are as follows: First, as scientific realism originated from a philosophical concept was adopted in literature and other genres, its meanings have been altered and comprehensively expanded according to the genres of which the term is being used. Naturalism of the modern times carries strong message of ecology and environmental protection. Second, the modern naturalism in fashion is manifested in expressing the image of nature and plasticity, instead of a mere use of the natural materials. As the aspects of ecology become more significant, elements of retro, recycle, or grunge are additionally integrated in fashion. Third, Naturalism expressed in knitwear is similar with that of other clothing in terms of color and textile, however, silhouette in knitwear is unique in its general naturalness and flowing effects. Embroidery, knitting of Jacquard and Intarsia, or crochet is used to express forms of objects from nature. Visual effects regardless of the contents of yarn, and pattern effects after knitting by using yarn, have influences on the material. Forth, the eight knit designs in expressing naturalism presented in this study took a motif from the works of Yann Arthus-Bertrand. They were created by rendering rhythm of the landscape with emphasis on brown color. Contour and surface touch were expressed through yarn and the structure of knit.

Knit fabrics are created on diverse machines with diverse knit loops and conditions to make different patterns and fabric types1). Dimensional modifications of knit fabrics can also be achieved by numerous methods such as different knit-loop structures, different types of yarns, or different finishing processes including heat setting, steaming, chemical treatment et cetera. This research develops and explores sophisticated three-dimensional knit fabrics by combining the several different knit stitches including rib and purl. This study focuses on 3D knit models created on modern electronic weft (flat V-bed) knitting machines which have capability of individual needle selection. Several samples of the 3D knitted fabrics are also examined in this research. This research furthermore suggests new types of knitted fashion garment made by using the interesting physical effects.

The knitting method of the sleeves for improving movement adaptability were studied in this paper. The purpose of this study is proposing a knitting method that is suitable for the bodies of women in their 20's and can enhance wearing satisfaction. To see the effect of the bind-off length at the axilla, a movement adaptability test was undertaken for 4 samples that have bind-off at bodices. In addition to that, the analysis of their sliding distance with respect to the human motions were executed. The results of this study were listed below. Its result was that the samples with small bind-off lengths represent better wearing satisfaction than the samples which have large bind-off lengths. The comparison of the sliding distances at the hem, waist and sleeves with respect to the tester's motions also shows that the sample having small bind-off makes better result than the sample with large bind-off. It was observed that the optimal length of bind-off was 2cm for the improvement of the sleeve functionality.

The purpose of this study is proposing a knitting method that is suitable for the bodies of women in their 20's and can enhance aesthetic aspect and wearing satisfaction. For this study, four kinds of seamless knit one-pieces were implemented by different knitting method of waist dart each other. The inspection of the exterior and the sensory test of movement adaptability were included in this study. The results of this study were listed below. Exterior evaluation of the four samples results that the sample with outside narrowing and widening get low grade. Thus, we can see that the method having only outside narrowing and widening for waist shaping can cause problems. In addition to that, the sample with inside narrowing and widening get highest grade for almost all test items. The dressing evaluation results that the knitting method of waist dart affect only on the exterior but not on the movement adaptability of the seamless knit one-piece.

The purpose of this study is to analyse the effects of knit samples' mechanical properties on changes of skirt length of knit flared skirt, and to compare it to the knitting method of a seamless knitted flare skirt. So, I compared the appearance and 3-dimensional shape of a seamless knitted flare skirt with those of a fully cut knit flared skirt. For this study, 18 kinds of cut and sew or seamless knitted test garment were made. The data analysis methods used in this study were descriptive statistics, one-way ANOVA, correlation analysis, and regression analysis. The results are as follows: The result of the evaluation of knit samples' mechanical properties by the KES-FB system showed that elongation decreased as gauge increased and course direction was greatest among grain directions. The length change after wearing the knitted flare skirts appeared wholly equal to the seamless knitted, compared with the cut and sew. The change was biggest at 180°, 7G of the cut and sew. In grain direction, bias cut showed more than 1.2cm of length change. As the weight and thickness increased, the length changes become larger. The regression analysis indicated that the greatest contributive variables on the length changes were elongation, weight, and thickness.