The purpose of this study was to comprehend the assignment and the procurement method of wood works’ craftsman through the Salleung-dogamuigwes in royal tombs constructions in the late Joseon period. Following conclusions have been reached through the study. First, Carpenter and other nine craftsmen were introduced in carpentry works. The craftsmen were put in by occupation to maintain the quality of the government building construction by wood processing area. It was distinguished by frame member, Sujangjae, window framing wood, decorative member. Second, sawyer showed a sharp increase in the latter half of the 18th century and declined since the middle of the 19th century. This is closely related to the increase in demand for building materials and the growth of civilian wood products. As a maximum of 300 people have been assigned to the craftsmen in the woodwork, it can be seen that the work has been divided by the process. Third, the national carpenter was difficult to procure from the 17th century to the beginning of the 18th century. From the middle 18th century, the system procuring national carpenter was stabilized. In the 19th century, the input ratio of the national craftsmen seems to have decreased significantly and seems to have kept it at the minimum level. Forth, sawyer were procured through Seongonggam from the late 18th century through the mid 19th century. That means that the role of the sawyer had become important. Since Jogakjang is not a necessary manpower, it usually has civilian artisans.

히니는 그의 첫 시 땅파기 에서 “내 검지와 엄지 사이에 뭉뚝한 연필 쉬고 있네/ 나 그것으로 팔 것이요.”라고 선언했다. 그의 시를 읽은 이제까지의 결론 은 그는 산고의 고통으로 새 스타일의 시를 만들기 위해 끊임없이 노력함으로써 위의 공언을 실천했다는 것이다. 본 논문은 시집 밭일, 산사나무 등불 그리고 환영보기의 시들만을 다루지만 필자의 결론은 히니는 그의 아버지가 경작에 있어 완벽을 추구하던 장인이었던 것처럼 글쓰기의 장인이라는 것이다.